Music

21 female composers you really need on your radar

Pictured left to right: Dame Ethel Smyth, Yoko Shimomura and Cassie Kinoshi

Over the centuries, some of the world’s best-loved musical masterpieces have been written by women – and we’re here to celebrate them.

It’s no secret that in music, women are largely underrepresented – and it’s never been more important for us to address this issue.

According to research from Donne, which analyses composers’ works scheduled by 111 orchestras from 30 different countries, there is still much to be done.

Titled ‘Equality and Diversity in Global Repertoire’, the alarming research has shown that of the 16,327 concerts performed from 2023-2024, only 7.5% included works written by female composers – a statistic that has been steadily decreasing in recent years.

And perhaps more worryingly, only 1.6% per cent of those pieces were written by women from Global Majority backgrounds which is also lower than in previous years.

At Orchestras for All, we’re here to champion female composers every step of the way, so here are 21 women to be inspired by…

1. Dame Ethel Smyth

Ethel Smyth was a pioneering composer, conductor and suffragette, using music as a powerful tool for activism. Smyth is most well known for her opera The Wreckers, while her ‘March of the Women’ became the anthem of the suffragette movement.

She was the first woman to have an opera performed at the Metropolitan Opera in New York, breaking down barriers for women in orchestral music. Her work is bold, passionate and uncompromising – just like the composer herself!

Read more: 17 LGBTQIA+ musicians who totally rock our world >

2. Errollyn Wallen

Errollyn Wallen CBE is a Belize-born British composer whose work defies traditions. Not only is she a trailblazer in the classical world, being the first Black female composer to have her work performed at the BBC Proms (Concerto for Percussion, 1994), but she is also an accomplished singer-songwriter.

Wallen’s music spans a vast range of genres, from opera and chamber music to pop songs, blending classical traditions with influences from jazz, blues and contemporary styles. Earlier this year, Wallen also became the first Black woman to be proudly appointed as Master of the King’s Music.

3. Lucy Hale

Born in 1994, Lucy Hale inspired fans of orchestral music with her captivating compositions as well as being a role model for others living with disability. In 2019, Lucy became National Orchestra for All’s Inaugural Young Composer in Residence and worked closely with its diverse ensemble of 100 young musicians to create ‘Stories of Silk’ – specially written for NOFA’s 2019-2020 season, My Roots, Our Routes, exploring music inspired and influenced by human migrations and journeys.

After completing her studies for a Master of Music in Composition at the Royal Northern College of Music in 2017, she was appointed as inaugural Young Composer-in-Association with BSO Resound, Bournemouth Symphony Orchestra’s disabled-led ensemble. Alongside ‘Stories of Silk’, Lucy’s striking compositions include ‘Zeta’, ‘To Run With The Tigers’ and dramatic orchestral masterpiece, ‘Against the Tide’.

4. Dobrinka Tabakova

Born in Bulgaria and raised in London, Dobrinka Tabakova draws inspiration from medieval chant, minimalism and Eastern European folk traditions. Her music is filled with rich harmonies and luminous textures, creating deeply expressive soundscapes.

Her Concerto for Cello and Strings showcases her ability to blend tradition with fresh, modern sounds. As a composer-in-residence at the BBC Concert Orchestra, she continues to push orchestral music in new and exciting directions.

Read more: “Orchestral music-making isn’t just for the few – it’s for everyone,” says Modulo Programme Manager, Charlie >

5. Florence Price

Florence Price made history as the first African American woman to have her work performed by a major U.S. orchestra. Premiering in 1933, her Symphony No. 1 in E minor blends African American spirituals, Western classical forms and vibrant rhythms.

Last season, the young people in National Orchestra for All and our Modulo ensembles performed the spectacular ‘Allegro ma non troppo’ (first) movement from this symphony at arts venues nationwide, embracing Price’s groundbreaking legacy and keeping the work relevant today.

6. Mélanie Bonis

As a woman in 19th-century France, Mélanie Bonis faced significant barriers to become a composer. Despite her musical abilities and studying at the Paris Conservatoire, her parents opposed her ambitions, believing it was not a suitable profession for a woman.

Incredibly, she went on to compose over 300 pieces of music, including orchestral, choral and chamber music that bridges the Romantic and Impressionist styles. Her Femmes de Légende piano suite, inspired by legendary women from throughout history, mythology and literature, highlights her powerful storytelling and unwavering beliefs. Today, her music is finally gaining the recognition it deserves.

7. Samantha Fernando

The music of Surrey-based composer, Samantha Fernando, stands out owing to its harmonic colour and resonance, which often gives her work a meditative quality – with Sense of Place (2014) and The Journey Between Us (2016) being two of her most popular works.

Samantha’s career as a composer has gone from strength to strength in recent years, having been commissioned by numerous ensembles and festivals – including the London Sinfonietta, Aldeburgh Music, the Oxford Lieder Festival and the Philharmonia Orchestra. Currently, the multi-award-winner is an Honorary Research Fellow in composition at Royal Holloway, University of London and in 2020, she took to Twitter for a live Q&A to share her musical expertise with the 100 young musicians of National Orchestra for All.

8. Fanny Hensel

Fanny Hensel, more commonly known by her family name, Fanny Mendelssohn, was a visionary composer and pianist, who fought against societal restrictions to compose over 400 works that showcase her bold, romantic spirit and lyrical melodies.

Hensel played a crucial role in Berlin’s musical scene, proving her unstoppable passion for composition and performance. Her composition Das Jahr, a twelve-piece piano cycle inspired by the months of the year, highlights her emotional depth and innovative style.

Read more: 7 ways to support musicians in the LGBTQIA+ community >

9. Nadia Boulanger

Nadia Boulanger wasn’t just a composer, she was a force in 20th-century music. As a conductor, educator and mentor to legends like Philip Glass, Aaron Copland and Quincy Jones, she has shaped the future of orchestral music.

Her own compositions, such as Three Pieces for Cello and Piano, reveal her deep understanding of form and emotion. Boulanger shattered barriers by becoming the first woman to conduct major orchestras, proving that leadership in music knows no gender.

10. Rebecca Clarke

A groundbreaking violist and composer, Rebecca Clarke redefined chamber music. Her Viola Sonata is hailed as one of the greatest viola compositions ever written, blending Impressionist colours with passionate Romanticism.

Aged 16, she auditioned for the Royal Academy of Music, gaining a place as a violin student. However, after just two years, her father made her leave when her harmony teacher proposed to her. She later attended the Royal College of Music, where she was the first woman to be taught composition by Charles Stanford. Although much of her work remained unpublished for years, Clarke’s compositions are now celebrated for their intensity, lyricism and daring harmonic choices.

11. Clara Schumann

Clara Schumann was not only a celebrated pianist but also a brilliant composer who shaped Romantic music. She composed her famous Piano Concerto in A minor at only 14 years old. She was also a dedicated mentor to Johannes Brahms and a champion of contemporary music in the mid 1800s, along with being one of the first musicians to perform from memory, revolutionising piano recitals.

Most of Schumann's music was never played by anyone other than herself, and was largely forgotten until the 1970s. Today her compositions are increasingly performed and recorded, gaining her the recognition she deserves.

12. Francesca Caccini

Francesca Caccini was a groundbreaking composer, singer and teacher who became the first woman to write an opera: La liberazione di Ruggiero (1625).

Whilst working in the Medici court – the home of one of the most influential musical, political and powerful families in Florence, she composed intricate madrigals (non-religious songs popular in the Renaissance and Baroque periods) and songs that displayed her love for drama, counterpoint and lyrical expression. Her work helped to lay the foundations of early opera and paved the way for women in a male dominated musical world.

13. Amy Beach

A self-taught composer and virtuoso pianist, Amy Beach broke down barriers by becoming the first American woman to compose a symphony, titled Gaelic Symphony. Her music is known for its sweet, Romantic-style orchestration and stunning lyricism.

She composed over 150 numbered works, nearly all of which were published, including choral works, church music, chamber works, cantatas and songs to words of Shakespeare, Robert Burns and Robert Browning. She was a true trailblazer, who championed women’s roles in composition and performance.

14. Joan Tower

Joan Tower is one of the most influential living American composers. She is most well known for her Fanfare for the Uncommon Woman, which is a powerful response to Aaron Copland’s Fanfare for the Common Man, celebrating women’s contributions to music and society. In 1990, she became the first woman to win the prestigious Grawemeyer Award for ‘Silver Ladders’, a piece she wrote for the St. Louis Symphony Orchestra, where she was Composer-in-Residence from 1985-1988.

During a career spanning more than 60 years, she has made lasting contributions to music in the United States and beyond as a composer, performer, conductor and educator. Her works have been commissioned by countless major ensembles, soloists and orchestras and are regularly performed worldwide.

15. Hildur Guðnadóttir

Born in 1982, Hildur Guðnadóttir is an Icelandic composer and cellist whose haunting, immersive soundscapes have transformed film and television scores. She made history as the first woman to win an Oscar for Best Original Score for Joker (2019).

Guðnadóttir has continued to be celebrated, winning a BAFTA, Golden Globe and two Grammy’s in her ncredible career so far. Her innovative use of electronics and live recordings has redefined the boundaries of composition for cinema and inspires composers across the world.

16. Margaret Bonds

Margaret Bonds was a composer and pianist whose music was deeply rooted in African American spirituals and activism. Bonds was the first African American woman to perform with the Chicago Symphony Orchestra, and was the featured pianist for the Woman’s Symphony Orchestra of Chicago’s performance of Florence Price’s Piano Concerto in D Minor. She also collaborated with poet, Langston Hughes, and wrote powerful choral and orchestral works, advocating for social justice through music.

This year, her composition ‘The Montgomery Variations’ has been featured as one of the BBC’s Ten Pieces. Written in response to the Montgomery Bus Boycott, a huge protest brought about by the brave actions of Rosa Parks, the piece is an incredible example of Bonds dedication to social activism and support of Black women at a time of segregation.

17. Louise Farrenc

Louise Farrenc was a pioneering composer, pianist and professor, now celebrated for her powerful symphonies and chamber music. As one of the few female professors at the Paris Conservatoire, she fought for and won equal pay, paving the way for future generations.

Her acclaimed Symphony No. 3 is a stunning example of 19th-century orchestral writing. She never received the popular recognition she deserved during her lifetime, but kept writing her music and fighting for gender equality.

18. Judith Weir

Judith Weir is a composer of lyrical, folk-inspired music. Originally an oboist, she was a member of The National Youth Orchestra of Great Britain and went on to study composition at both Cambridge University and the Boston University Tanglewood Institute.

Weir was the first woman to hold the title of Master of the King’s Music in the UK. Her operas, such as Blond Eckbert and Miss Fortune, blend contemporary themes with traditional storytelling, showcasing her unique voice in modern orchestral music.

19. Hildegard of Bingen

Born in 1068, Hildegard of Bingen was a medieval nun who went on to become not just a composer but a poet, theologian and visionary, and is one of the first known female composers. She lived until 81 years of age – an incredible feat in the eleventh century – and her music (known as ‘chants’) was truly ethereal and intensely spiritual. Hildegard even believed these chants were given to her in a series of visions.

Her sacred music remains as some of the most celebrated early music compositions, influencing generations of composers and musicians throughout history.

20. Yoko Shimomura

Yoko Shimomura is one of the most acclaimed female video game composers in history, known for her emotive, orchestral scores for Kingdom Hearts, Street Fighter II, and Final Fantasy XV. Born in the Hyōgo prefecture of Japan in 1967, Shimomura has had a passion for music and video games since she was a child, and been an active composer for video games for over 30 years.

Her work brings symphonic grandeur to gaming, proving that video game music belongs in the concert hall, and continues to play a crucial role in the lives of composers and gamers alike.

21. Cassie Kinoshi

Cassie Kinoshi is a Mercury Prize-nominated and Ivors Academy Award-winning composer, arranger and alto-saxophonist, blending jazz, classical and African rhythms. As the leader of SEED Ensemble, she challenges conventions and creates music that celebrates identity, culture and storytelling.

Kinoshi’s ‘the colour of all things constant’ is a beautiful new piece written for the BBC Ten Pieces, and co-commissioned by the BBC together with the ABRSM, Music for Youth and Royal Albert Hall. It was first played by the BBC Philharmonic Orchestra and included a powerful 40-strong choir of 16-18-year-olds.

At Orchestras for All, we believe that every voice deserves to be heard – and these composers remind us why representation matters. These extraordinary composers have shaped music in ways that continue to inspire generations. By celebrating their achievements and performing their works, we can ensure that their legacies continue to thrive and inspire future musicians.

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Watch this mesmerising digital work created by 100 young musicians

‘It will show others how we’re all going on a journey,’ says 16-year-old pianist, Troy.

Orchestras for All has shared a captivating new video in a bid to highlight the importance of youth voice and self-expression.

Titled ‘The Great Interstellar Orchestra’ and premiered today via YouTube, the six-minute clip (watch above) combines beautiful sounds and striking animations, created and performed by 100 young musicians.

The diverse musical group are members of National Orchestra for All (NOFA) – the UK’s only completely inclusive national youth orchestra – which has taken to Zoom for its rehearsals this season, amid the coronavirus pandemic. By harnessing the power of technology and exploring new ways of connecting, digital creativity became possible.

As part of NOFA’s four-day spring course, members were invited to a series of virtual workshops on remixing and collage led by British composer, Jack McNeill, and digital visual artist, Bryony Simcox. It was the unique stories and creations that emerged from young musicians during these sessions that formed the basis of the audiovisual composition.

Read more: 5 reasons why becoming an Orchestras for All trustee is the volunteer role you never knew you needed >

“‘The Great Interstellar Orchestra’ is all about giving young people a voice,” explains NOFA composer, Jack

“‘The Great Interstellar Orchestra’ is all about giving young people a voice,” explains NOFA composer, Jack

After seeing the digital work – which was also named by NOFA members – for the first time, Troy, a young pianist with NOFA, said: “It had all the unique elements of people’s different ideas put together… I thought it was amazing!

“By the end I was so interested in it, I wanted to see more. I’m really happy that I was a part of it and that I was able to contribute to all of this. It will show [others] how we’re all going on a journey… where we are, what we want to do and what we want to achieve.”

NOFA percussionist, Abz, added: “It’s got the different noises and different instruments, and it represents us all as a whole. We’re not the same but we’re all linked in some way.”

Together: NOFA members share what performing means to them during the spring 2021 course

Together: NOFA members share what performing means to them during the spring 2021 course

Ahead of the premiere, Orchestras for All caught up with UK-based composer, Jack, and digital visual artist, Bryony, to find out more about the creative process for the project (watch video below).

Speaking about the music, Jack explained: “The sounds that you will hear in ‘The Great Insterstellar Orchestra’ are all sounds that the members of the National Orchestra for All recorded themselves. After four days of workshops, members began to create their own works, exploring the sounds of their instruments, their creative potential, and sharing the sounds they had made with the NOFA creative team.

Discover more on National Orchestra for All’s young musicians >

“‘The Great Interstellar Orchestra’ is all about giving young people a voice and showcasing their creativity. And this is exactly what this piece does. The audio track is constructed (almost) exclusively of the NOFA members’ own recordings, processed, chopped up and warped to create this digital ensemble. Within the texture, every single sound that was sent has been included in some way and every member has an important role and voice within the team.” 

He continued: “The piece fully represents the diversity of NOFA members’ creative ideas, with some instrumental melodies peppered across the piece, interspersed with percussive interludes, rich ambient textures, and almost synthetic-sounding extended techniques. If you listen carefully, you will hear the voice of every single NOFA member in this work.

“I have hugely enjoyed working on this project. It is one of the largest and most ambitious I have worked on, with almost all of the creative decisions in the hands of the NOFA members, and over 100 pieces of audio to weave into the final piece.

“While ‘The Great Interstellar Orchestra’ is built up of individual voices, NOFA members demonstrated their creative capabilities as an ensemble. With many of the sounds that were sent in, there was clarity in each submission’s role in the piece and how they would support the work as a whole. Even remotely and in a digital medium, these young musicians so clearly understand and appreciate the inner workings of an ensemble, and it shows in their creative work.”

Read more: ‘We can be a part of something bigger together’, explains teenage trombonist and youth board member >

“Tunnels, car rides and cogs reflect the idea of coming together,” says digital visual artist, Bryony

“Tunnels, car rides and cogs reflect the idea of coming together,” says digital visual artist, Bryony

Explaining her approach to the artwork, digital visual artist, Bryony, added: “When you watch the piece, look out for the abstracted images of instruments – each of these are photographs sourced by NOFA members who looked for patterns and shapes within the instruments they play. Also observe the use of colour – each of the colours included were chosen by NOFA members as a visual interpretation of the sound and timbre of their instruments.

“The idea of colour and sound working together is especially apparent in the middle section, where the adrenaline of tuning up and getting ready to perform as an orchestra is represented through a cycling rainbow of colours and flashing words. This reaches its climax as the ‘orchestra’ is in perfect harmony and the screen fills with the colour red.

“As well as pattern and colour, the overarching structure of the piece was curated by NOFA members, who used storyboarding in Zoom to imagine ways to tell the story of being part of the orchestra. First, the disparate pieces emerge, just as each NOFA member comes together from different backgrounds and corners of the country. As the video continues, we use tunnels, car rides, cogs and train journeys – all literal imagery suggested by the young people to reflect the idea of coming together.”

In perfect harmony: NOFA members and tutors get creative with colour using the screens of their devices

In perfect harmony: NOFA members and tutors get creative with colour using the screens of their devices

NOFA musicians explore the medium of collage on Miro and create their own artwork

NOFA musicians explore the medium of collage on Miro and create their own artwork

She continued: “After the red climax of the piece, the video features animation which bring collages to life in time to the music. Here, it feels as though ‘The Great Interstellar Orchestra’ is performing together, and each and every instrument and musician has a role to play. Before the piece comes to a close, the finale features some of the artwork created by the young people at the end of the spring season workshops – 2D abstract collages made using software called ‘Miro’.”

But it wasn’t just young people that inspired NOFA’s digital piece. Artistic Director at Orchestras for All, Emma, says the team were also influenced by the orchestral world: “Our spring course for 2021 was the one-year anniversary of NOFA working together on Zoom, and we wanted to work with the visual medium to dig deeper into how we can be an orchestra online. Our starting points were themes found in Britten’s ‘The Young Person’s Guide to the Orchestra’ – the central work to our artistic season: unity within community, solo voices within an ensemble, the parts of a whole and being heard in a crowd. NOFA took these initial ideas and moved them on.

“‘The Great Interstellar Orchestra’ seems to me, now, to champion being part of something new: joining a community, making a contribution, taking action and valuing others. Maybe it will tell different stories to others. The making of ‘The Great Interstellar Orchestra’ was a complete joy. Using a wide range of musical and visual practices, NOFA members brought wonderful ideas and fun to the storytelling. This project has certainly transformed the possibilities of creative work for this orchestra for the future, and we are so grateful to Jack and Bryony for enabling the individual voices of NOFA to speak as one.”

While the arts sector may have been faced with unexpected challenges during the coronavirus pandemic, Orchestras for All won’t let that become another barrier to music-making. By fully embracing digital trends such as Zoom, we can continue to connect with our young people and create exciting new pieces of work.

A very special thanks to Arts Council England, Youth Music, our loyal funders and individual donors, ambassadors, volunteers, and pastoral and orchestral tutors for helping to make this digital project possible.

To fund a life-changing programme like National Orchestra for All, please donate today >

Easter 2021 playlist: National Orchestra for All ambassadors share their musical favourites

National Orchestra for All ambassador, Joe, recommends listening to ‘Waterfall’ by The Stone Roses. Picture: Wallpaper Cave

National Orchestra for All ambassador, Joe, recommends listening to ‘Waterfall’ by The Stone Roses. Picture: Wallpaper Cave

Which songs will you be listening to this Easter? Here are a few to get you started…

From spending time with family and friends to hunting for chocolate eggs, there’s plenty of fun to be had in lockdown over the Easter break. What’s more, long weekends mean more opportunities to share and discover new music!

We caught up with National Orchestra for All ambassadors Joe, Megan, Phoebe and Isaac to find out which tunes they can’t get enough of…

Read more: ‘Don’t put yourself down’: 18-year-old flautist shares her advice with aspiring young musicians >

Joe: Easter is a time to feel good. It’s all about celebrating everything positive to do with spring: the renewing bloom of nature, the return of the warm sun – and eating chocolate without the guilt! 

That’s why my recommendation for your Easter Sunday playlist is a warm, feel-good song. Introducing ‘Waterfall’ by The Stone Roses. 

Discover more on National Orchestra for All >

It’s an easy listen with an upbeat tone, a major key and enough to keep you interested all the way through. It’s a Madchester song (a popular musical and cultural scene in Manchester in the 1980s), so it can fit into a number of genres from pop to indie-dance. It deserves a place in anyone’s playlist!

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Megan: Over the past year, I'd say my taste in music has evolved a lot – but two artists I’ve consistently listened to are Hozier and Woodkid. 

The first song I’d recommend is ‘Sunlight’ by Hozier. It’s one of my personal favourites by him – the references to Icarus and the sun are hauntingly beautiful and when combined with the use of percussion and background vocals, it creates an eerie but powerful effect. Chances are you’ll recognise him from his other song, ‘Take me to church’, which was played a lot on the radio a few years ago!

Another song I really enjoy is ‘Conquest of Spaces’ by Woodkid. You might recognise his music if you ever watched Netflix’s Umbrella Academy – he was the one who sang ‘Run Boy Run’!

‘Sunlight’ by Hozier is a personal favourite, says Megan: ‘The references to Icarus and the sun are hauntingly beautiful.‘ Picture: Giphy

‘Sunlight’ by Hozier is a personal favourite, says Megan: ‘The references to Icarus and the sun are hauntingly beautiful.‘ Picture: Giphy

Woodkid beautifully utilises percussion in his work alongside soaring strings and other traditional orchestral instruments to create a grand atmosphere. As the track develops, the instruments all come together and swell to produce enrapturing sound. 

If you enjoy these songs, I’d 100 per cent recommend you listen to other works by those musicians – it’s all just as good and who knows, you might even discover a new favourite artist!

Please donate to Orchestras for All and make a difference to young lives >

Phoebe: If you’re looking for something a little different to listen to this Easter break, I would definitely recommend giving ‘Ex-Wives’ from SIX a listen. A new musical about Henry VIII’s six wives, Six combines traditional musical theatre with more modern techno beats.

‘Ex-Wives’ is the opening song from the show – what I really love is that each wife gets a chance to sing her own verse and then they all sing together in the chorus, creating some really cool harmonies all layered above a techno beat that you won’t be able to get out of your head for days.

There’s also a cheeky little bit of ‘Greensleeves’ in there – see if you can spot it while listening!

Isaac: My recommendations are ‘Hungarian Rhapsody No. 2’ by Franz Liszt and ‘Passing By’ by Edward Purcell. Hungarian Rhapsody is a piece I like for its drama; it has these wonderfully tense, quiet and sparse sections that alternate with triumphant, grand and virtuosic ones, and it makes it really easy to be swept along in it.

I like to watch videos of people playing it because the speed of their fingers is astounding. ‘Passing By’ is simply an intensely beautiful song, it really brings across this sense of sweetness and longing.

The recordings I've heard are by the excellent Paul Robeson – and they never fail to pull on the heartstrings. Now, a quick bonus lighthearted one: ‘Ghost Grinder’ by Steam Powered Giraffe is a bit weird but I always find myself dancing along when I listen to it!

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