Over the moon: Orchestras for All wins Youth Initiative of the Year at the Music Mark Awards 2024!

Pictured: NOFA alum, Haseeb, Executive Director, Nick, and Head of Programmes and Partnerships, Ellie.

Celebrating our commitment to breaking down musical barriers…

We are thrilled to announce that Orchestras for All (OFA) has been awarded Youth Initiative of the Year at the Music Mark Awards 2024.

Held yesterday evening (Monday 18 November), the uplifting award ceremony took place at Music Mark’s annual conference dinner and was attended by members of OFA’s core team as well as National Orchestra for All (NOFA) alum, former Youth Board member and Ambassador, Haseeb, who played a huge part in supporting our charity last season.

Sharing his personal experience with OFA, Haseeb said: “It feels like a family of people from all over the UK and not everyone is the same – there’s loads of differences between each member and it’s the fact that we can be part of something bigger together.

“It gives you a different perspective on other people’s lives as well because not everyone’s life is easy. It’s also helped with my confidence because I know that when I was young, I wasn’t very confident but after joining NOFA, I grew in confidence.”

Celebrating the work of organisations across the music education sector in five categories, championing sustainability, inclusion, youth-led initiatives, digital projects and unsung heroes, the awards were surely a night to remember for many – and certainly a significant moment in OFA’s history.

Read more: ‘Investing in youth leadership is crucial for shaping the future of the arts,’ says National Orchestra for All alum, Elen >

Our charity believes that every young person deserves the opportunity to experience the joy, creativity and connection that comes with orchestral music-making. Through our three inclusive programmes, NOFA, the Modulo Programme and Music Leadership Training, we’re committed to breaking down the barriers that can all too often stand between young people and life-changing musical experiences.

Sponsored by ABRSM, this award is a recognition of that vision – and proof of the positive things that happen when communities come together to empower young people.

Read more: Music matters: Orchestras for All invites young people in the UK to join its new season of inclusive programmes >

Our programmes have a broad reach and impact on young people, placing them at the heart of our work. We provide frequent opportunities for young people to take ownership of their learning during our live activity, whether that’s trying their hand at conducting the orchestra for the first time or helping to run our events.

We have youth roles on our Board of Trustees, appointing NOFA alums Beth White and Joelle Sogunro as our first Co-Chairs, alongside Susanna Eastburn MBE. Other NOFA alums have joined OFA’s core team as Youth Leadership Coordinator and Fundraising and Communications Coordinator, which has led them to travel across Europe to collaborate with youth music organisations such as Superar. We also have a dynamic Youth Board and each season, offer paid roles to 10 NOFA alums to join us as Ambassadors.

OFA takes home an award: Music Mark’s Youth Initiative of the Year, sponsored by ABRSM.

We’d like to extend our heartfelt thanks to Music Mark for this award and for shining a light on our organisation, working together to create a brighter, more inclusive future for music education. And of course, a huge thank you also goes out to the incredible young musicians who inspire us every day with their passion and resilience. This award belongs to them.

Plus, we’d like to give a special shout-out to ABRSM, our funders, supporters and individual donors – this would not have been possible without your belief in our mission and your tireless efforts to help us achieve it.

The Music Mark Awards highlight the transformative power of music and we couldn’t be more proud to have stood alongside many worthy winners on the night as well as the two other nominees in our category, Legacy A Cappella and Gateshead and South Tyneside Music Hub.

As we celebrate this new milestone, we’re even more motivated to keep pushing boundaries, challenging norms and making orchestral music-making accessible to all. Thank you for being part of our journey and here’s to another year of breaking down barriers!

Inspired by our work? Please make a difference today and donate what you can:

Inclusive music-making across the UK: Modulo Programme 2024 season highlights

All the best bits from our barrier-smashing national ensembles…

Earlier this year, the Orchestras for All team travelled across the UK with the Modulo Programme to bring inclusive music-making activities to 500 students from 35 participating schools and community groups – with 252 young people joining us in the spring and 248 in the summer months.

We were delighted to be joined by 18 schools from Arts Council England’s Levelling Up for Culture Places, 15 returning schools and one home educated group. We were also thrilled to be able to widen the impact of Modulo even further by welcoming our first ensemble from a Special Educational Needs and Disability (SEND) school.

From Royal Birmingham Conservatoire to the University of York, Royal Northern College of Music in Manchester to the Royal Academy of Music in London (watch our concert video above), we held eight energising meets that were jam-packed with uplifting ensemble music-making.

A Modulo participant said: “Now I have found where I belong.”

Read more: 9 groundbreaking black composers you really need to know > 

Modulo participants getting in the groove

Our inspiring participants had the opportunity to perform an eclectic programme of music together as one powerful large-scale orchestra, which included everything from video game soundtracks to 1970s funk classics.

Read more: Orchestras for All invites young people to join its new season of inclusive programmes >

Arranged by Orchestras for All’s Associate Conductor, Rocco Brunori, Christopher Larkin’s ‘Hornet’, as featured in the video game Hollow Knight, quickly became a firm favourite for its driving rhythms and captivating melodies (watch video below).

Our participants also had the chance to perform the stunning ‘Allegro’ movement of Florence Price’s Symphony No. 1 (1932), arranged specially for our Modulo ensembles by award-winning composer, Emily Lim.

Plus, our inclusive ensembles even got stuck into ‘I Wish’, the 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder, and arranged by our keyboard tutor, Matthew Poad. In this catchy tune, Wonder’s lyrics share how he wishes he could go back in time and relive his childhood – and you just can’t help but dance along!

As with all our work, wellbeing was at the forefront of every event this season. Alongside building on their musical skills, our diverse cohort of students were able to develop their social and communication skills, while having their emotional needs fully supported by our expert team of safeguarding staff.

A young participant told us: “I come to Modulo for the confidence-boosting side of it.”

Modulo Participants enjoying a break from rehearsals

On behalf of everyone at Orchestras for All, we would like to thank our Modulo funders, Arts Council England, Department for Education, Foyle Foundation, Garfield Weston Foundation, Scops Arts Trust, 29th May 1961 Charitable Trust, Association British Orchestras Sirens Fund and Catherine Cookson Charitable Trust.

We would also like to thank our individual donors, orchestral and wellbeing tutors, freelance staff, ambassadors and audience members for making our Modulo 2024 season so memorable.

Keen to get involved? There’s still time to apply to join our next Modulo cohort in 2025 – but hurry, the deadline is 6pm on Monday 19th November 2024!

Find out how your school can get involved below:

9 groundbreaking Black composers you really need to know

Looking to broaden your musical world? Then look no further...

Here at Orchestras for All, we truly champion equality, diversity and inclusion, whether that’s relating to the young musicians we work with or the music they perform.

That’s why we’re taking a moment to celebrate the powerful musical contributions of Black composers throughout music history.

From classical pioneers to modern genre-benders, here are nine inspiring composers who reshaped the world of music as we know it, often breaking down barriers and blazing trails along the way! (Trust us, you’ll want to add them to your next playlist…)

Read more: Music making across borders: A memorable week in Vienna with Superar >

1. Florence Price (1887–1953)

Florence Price made history as the first African American woman to have her work performed by a major U.S. orchestra. Premiering in 1933, her Symphony No. 1 in E minor blends African American spirituals, Western classical forms and vibrant rhythms.

This year, the young people in National Orchestra for All and our Modulo ensembles performed the spectacular ‘Allegro ma non troppo’ (first) movement from this symphony at arts venues nationwide, embracing Price’s groundbreaking legacy and keeping the work relevant today.

2. Errollyn Wallen CBE (b. 1958)

Errollyn Wallen CBE is a Belize-born British composer whose work defies traditions. Not only is she a trailblazer in the classical world, being the first Black female composer to have her work performed at the BBC Proms (Concerto for Percussion, 1994), but she is also an accomplished singer-songwriter.

Wallen’s music spans a vast range of genres, from opera and chamber music to pop songs, blending classical traditions with influences from jazz, blues and contemporary styles. Earlier this year, Wallen also became the first Black woman to be proudly appointed as Master of the King’s Music.

““Anyone from anywhere can be a composer. If, along the way, I have helped to dispel the myth that a composer is only white and male, that can only be a good thing.” ”

— Errollyn Wallen CBE, in an interview with the Scottish Chamber Orchestra

Plus, music runs in the family as Errollyn’s brother, Byron Wallen, is also a distinguished jazz trumpeter, who previously led one of our Modulo workshops to share his passion for brass instruments and rhythm with the young people participating in the programme!

3. William Grant Still (1895–1978)

Often referred to as the “Dean of African American Composers” due to all the firsts he achieved, William Grant Still composed over 150 works, including symphonies, operas, ballets and chamber music.

Blending classical forms with blues and jazz, Still’s invigorating Afro-American Symphony (1930) was the first symphony penned by a Black composer to be performed by a major U.S. orchestra.

Read more: Investing in youth leadership is crucial for shaping the arts >

 4. George Walker (1922–2018)

Pianist and organist, George Walker, was the first Black composer to win the Pulitzer Prize for Music and in 1996, he was awarded for his dramatic work, Lilacs, written specially for soprano or tenor and orchestra.

Walker’s musical style blends classical, modernist and African American elements, and he is known for composing across multiple genres – from full-scale orchestral works to solo piano pieces, showcasing the breadth of his skill.

5. Joseph Bologne, Chevalier de Saint-Georges (1745–1799)

Joseph Bologne, Chevalier de Saint-Georges, was a virtuoso violinist, conductor, composer and soldier of Afro-Caribbean and French descent.

Born in the French colony of Guadeloupe, Bologne had an extraordinary life. He was a prolific composer, writing symphonies, operas and chamber music, which led to him becoming one of the most celebrated musicians in 18th-century France.

Today, Bologne’s vast catalogue of music, which includes the sweet-sounding ‘Trois Sonates’ for keyboard and violin (1770), continues to inspire musicians and audiences worldwide. His life as a composer and swordsman is the stuff of legend – so much so, it was portrayed in the 2022 film, ‘Chevalier’, marking him as one of the earliest and most inspiring Black figures in classical music history.

6. Samuel Coleridge-Taylor (1875–1912)

A British composer of Sierra Leonean descent, Samuel Coleridge-Taylor was a major figure in early 20th-century music.

While perhaps best known for his stunning work, Hiawatha’s Wedding Feast (1898), which brought him international fame, Coleridge-Taylor also used his platform to advocate for racial equality and celebrate African heritage.

His compositions merge classical traditions with African rhythms and melodies – an approach we also like to take at Orchestras for All as we embrace different cultures and genres in our repertoire to reflect the diversity of the young musicians we support.

7. Shirley J. Thompson OBE (b. 1958)

Shirley J. Thompson OBE is a British composer, conductor, violinist and academic of Jamaican descent, renowned for her orchestral works, film scores and operas as well as for being a cultural activist.

Thanks to her striking 21st century symphony, New Nation Rising (2002), celebrating London’s diverse histories through thematically linked movements, Thompson made history as the first woman in Europe to have composed and conducted a symphony within the last 40 years.

In 2002, the work was even performed live in the UK by The Royal Philharmonic Orchestra to mark the Queen’s Golden Jubilee!

Read more: Orchestras for All invites young musicians to join its new season of inclusive programmes >

8. Ignatius Sancho (1729–1780)

British composer, writer and abolitionist, Ignatius Sancho, was one of the first people of African descent known to have voted in a British election in 1774. Though born on a slave ship, Sancho eventually became a free man and prominent figure in London society. He composed a collection of music for dance, including minuets, cotillions and country dances.

Sancho’s compositions, including ‘Sweetest Bard’ and ‘Friendship Source of Joy’ (1769), offer a rare glimpse into the life of a Black composer in 18th-century Britain, making him a significant figure in both music history and the abolitionist movement.

9. Courtney Pine (b. 1964)

Courtney Pine is one of the UK’s most celebrated jazz musicians and composers. Over the course of his career, Pine has revolutionised the British jazz scene, blending this musical genre with reggae, hip-hop, drum and bass as well as soul to create a distinctive and powerful sound.

His impressive work as a composer spans everything from big band jazz to smaller ensemble pieces, with albums such as Journey to the Urge Within having earned critical acclaim worldwide.

Pine’s dedication to pushing boundaries in music, while also staying true to his heritage, has made him a key figure in British music today.

At Orchestras for All, we continue to take inspiration from composers of all backgrounds when collaborating on new programmes of repertoire, empowering the young people we work with to take ownership over their learning, explore their creativity and embrace different cultures and genres within a welcoming and supportive setting.

Keen to increase access to music-making and provide new opportunities for young people to create music together? Please donate what you can to our programmes:

Music-making across borders: A memorable week in Vienna with Superar

Exploring the value of youth leadership and inclusive music education in ‘the city of music’…

Hello! I am Elen, Fundraising and Communications Coordinator here at Orchestras for All (pictured middle above).

Earlier this year and during my time as Youth Leadership Coordinator, I was offered the incredible opportunity to represent Orchestras for All during a visit to Superar, a music and choir programme based in Vienna committed to providing high-quality music education to young people, regardless of their background.

It was a week filled with learning, sharing and making connections, thanks to the organisation’s wonderful staff and students as well as the rich musical culture of the city – and I’ve been keen to share this with you.

Read more: “Investing in youth leadership is crucial for shaping the future of the arts” >

Stunning scenery: Enjoying the sunshine outside the renowned Hofburg Palace.

A highlight of my trip was having the chance to share OFA’s mission and practice – those relating to its focus on youth leadership – with Superar’s staff and students, in particular.

During these discussions, I was able to delve into how we implement our youth leadership leadership initiatives, including youth-led performances or working with the Youth Board.

The staff were keen to hear about how this could be integrated into their own work, while the students were eager to ask questions and share their own experiences from their personal music-making journeys.

Plus, no visit to Vienna would have been complete without exploring its operatic heritage and I was fortunate enough to visit the Vienna State Opera to watch a rehearsal of ‘Sugar Revolution’ – a newly-created performance by CityLab.

This is the Opera’s cross-generational community theatre group, in which people of all ages are invited to develop their own piece and perform it in front of an audience.

I was amazed by how collaborative the rehearsal felt and the different ways in which they created an inclusive and empowering environment.

It was inspiring to see how opera, which is often written off as an ‘elite’ artform, could be made accessible to all,  leaving me with plenty of ideas for how we might continue to expand community outreach through music back home.

Ornate details: The beautiful architecture of Vienna State Opera.

I also had the privilege of visiting two middle schools in different parts of Vienna, where I observed Superar’s choir programme in action.

The energy in the room was contagious! The students were fully immersed in the music and it was clear they had formed a close-knit community through their choir work.

Watching the rehearsals, I was struck by how singing can break down barriers and create a shared space for expression. What stood out to me most was the variety of languages the children were singing in. From German to English and Turkish to Ukrainian (to name but a few), every song was sung in a different language and from a different genre.

The programme’s commitment to inclusivity, much like Orchestras for All’s approach to inclusivity, was admirable, and it was wonderful to witness the impact of this vital work in real-time.

Read more: OFA invites young people in the UK to participate in new season of programmes >

So many strings: My view as a cellist from within the orchestra.

To cap off my experience, I was invited to join an orchestra rehearsal, playing cello alongside Superar students. It was one thing to observe, but something else entirely to sit among the students and experience their rehearsal practices firsthand.

The dedication and focus of the young musicians was impressive, as was the warm, supportive environment fostered by their conductor and tutors.

The rehearsal felt collaborative, with plenty of space for the students to make musical decisions and even direct the orchestra. It was an excellent example of the kind of youth leadership we champion at Orchestras for All – and it was joyful to be a part of.

Vibrant surroundings: Vienna has the most colourful terraced buildings.

Overall, my week with Superar was a reminder of how much music has the power to transcend borders and bring people together. It reaffirmed the idea that music is a universal language, capable of building bridges between different cultures, experiences and communities.

It wasn’t just a chance for me to share what we do at Orchestras for All; it was also a valuable opportunity to learn from Superar’s approach to inclusive music education.

I am so grateful to Valerie, Fundraising Manager at Superar and my host for the week, and the rest of the team at Superar, for their kindness and hospitality.

I came away with a renewed sense of purpose and excitement about what can be achieved when people work together across borders to empower young musicians – and I encourage others arts organisations to give it a go too!

Keen to support our inclusive music-making programmes? Please donate what you can:

‘Investing in youth leadership is crucial for shaping the future of the arts,’ says National Orchestra for All alum, Elen

From working with Orchestras for All’s Youth Board to supporting its inspiring team of Ambassadors, Elen tells all on her time as Youth Leadership Coordinator…

At Orchestras for All (OFA), we believe that young people are best placed to tell us what they need and want – and we want all young people to feel empowered enough to do so, which is why it is essential their voices and opinions are heard, valued and actioned.

However, cultivating youth leadership isn’t just about giving young people a voice; it’s about empowering them to take active roles in decision-making, fostering a sense of ownership and enabling them to lead the change that the sector so desperately needs.

At OFA, we have implemented all kinds of key initiatives to cultivate youth leadership within our organisation and as the charity’s first Youth Leadership Coordinator, my role over the past year focused on creating and facilitating these opportunities, many of which I share in this blog.

Read more: OFA invites young people in the UK to participate in its new season of inclusive programmes >

“Orchestras for All gives young people lifelong skills, potentially opening up career paths they never thought they’d have.”

— Phoebe, National Orchestra for All alum

Pictured: OFA’s Youth Board, Trustees, core team members and guests meet for an inspiring away day.

One of OFA’s flagship youth leadership programmes is its Youth Board. This brilliant programme has been specially designed to give the young people we work with the opportunity to influence the direction of the organisation and bring new ideas to the table.

The Youth Board is actively involved in all major decision making and strategic planning as well as providing feedback and valuable insights to help shape and improve OFA’s vital work.

I was delighted to be tasked with the responsibility of designing and implementing a new set of subcommittees for Youth Board members, trustees and core staff, enabling us to collaborate on different areas of our work in a focused setting, which has boosted youth involvement.

Read more: Why becoming an OFA Trustee is the volunteer role you never knew you needed >

“Hearing from our Youth Board about the difference that Orchestras for All has made to their lives is key – and celebrating the successes of the young people OFA works with in a range of fields proves it is making an impact.”

— Kate, former OFA Trustee

Pictured: OFA Ambassador, Grace, expertly leading the NOFA summer concert at CBSO Centre in August.

Since joining OFA as a member of staff, I have also been working closely with OFA’s dedicated team of 10 Ambassadors. Employed as part of our freelance team, this group are recent alums of National Orchestra for All – one of OFA’s life-changing music-making programmes for young people in the UK, which I have personal experience of.

For many of the young people we work with, this opportunity acts as a valuable first step into the workplace, providing them with meaningful ways of applying their skills in a real-world context, while also supporting the smooth running of our live events.

Ambassadors take on diverse roles within the organisation, from working with production and shadowing communications to designing new software, all the while gaining insight into our charity and developing skills they can take forward into their future careers. Some Ambassadors have even gone on to join OFA’s orchestral and wellbeing teams!

“Being an Ambassador has been a very rewarding and valuable experience for me. ”

— Atse, OFA Ambassador and NOFA alum

Pictured: NOFA members enjoy a break from rehearsals at CBSO Centre in summer 2024.

Meanwhile, OFA’s Young Leaders programme is designed for 16-18-year-olds who are still members of National Orchestra for All. It focuses on equipping these young musicians with the leadership skills they need to take on more significant roles within the orchestra and beyond.

Through supported, hands-on experience, this group of young leaders are encouraged to grow in confidence, develop personally and build their communication skills.

Read more: 7 wonderful ways that youth leadership will empower your youth orchestra >

I was able to reinstate our Bronze Arts Award programme, which is a practical qualification that develops young people’s artistic abilities, alongside their research and communication skills.

The Young Leaders were involved in a whole host of activities for the award, including a visit to Birmingham Symphony Hall to see National Youth Orchestra live in concert as well as an old NOFA tradition – an entertaining instrument swap!

We have found that by empowering young people to lead, we can ensure OFA’s work and the organisation itself remains dynamic, innovative and responsive.

Pictured: Elen (middle) and the Superar team enjoying a visit to a renowned Viennese ice cream parlour.

Beyond supporting our own youth leadership programmes, I’ve spent much of the past year raising awareness of the importance of youth leadership across the wider music sector.

As Music Mark’s Advisory Council representative for its 15-strong group of National Youth Music Organisations, I have had the privilege of advocating for the interests and needs of young people on a national level. This role involves collaborating with other organisations within the sector to drive positive change.

As part of this, I’ve had the opportunity to speak at major conferences, including those held by Music Mark and Association of British Orchestras. These platforms allowed me to share OFA’s vision and the success of our youth leadership programmes with a broader audience, inspiring other organisations to adopt similar approaches.

Another key highlight of my year was a visit to Vienna, where I was fortunate enough to spend a week with a leading organisation in youth music education, Superar, which works with professional musicians to offer children and young people free access to cultural education.

Here I was able to learn more from others in Europe, exchange ideas and explore potential collaborations that could enhance OFA’s programmes. Watch this space!

“You have to be open-minded – nothing new has ever been implemented from staying closed-minded. You just don’t know unless you try. ”

— Beth, previous Co-Chair of OFA and NOFA alum

Pictured: OFA’s newly-appointed Co-Chairs, Joelle (left) and Susanna (right).

Another great example of how youth leadership has developed at OFA lately is the appointment of Trustee and NOFA and Modulo alum, Joelle Sogunro, who will be stepping into her new role as Co-Chair of the Board of Trustees. Joelle will be building on the success of our previous Co-Chair, Beth White (also a NOFA alum!) and we can’t wait to see where this will take our charity.

After a rewarding year as Youth Leadership Coordinator, I have now handed over my baton to NOFA and Modulo alum, Laura Fullwood, who recently joined the team. I have moved into the role of Fundraising and Communications Coordinator, meaning there are currently two alums in our core team – how exciting!

Laura is already doing incredible things, such as sharing our work with music leaders and teachers at Music Mark’s South Yorkshire conference, and we are all excited to see how she further develops the role and our youth leadership programmes.

Above all, our work to promote youth leadership at Orchestras for All is driven by a belief in the transformative power of music and the potential of young people to shape the future. I encourage all organisations – musical or not – to invest in youth leadership.

By providing young people with opportunities to lead, we not only empower them but also enrich our organisations through their creativity, enthusiasm and diverse perspectives, enabling us to create the positive change we all want to see in the world.

Keen to support this life-changing work? Please consider donating what you can:

5 reasons why becoming an Orchestras for All Trustee is the volunteer role you never knew you needed

Making a difference: Trustees and members of the core team gather for a meeting in London.

Ever considered becoming a charity trustee? Here are just some of the brilliant ways you could benefit…

At Orchestras for All (OFA), trustees play an integral role in our team, using their expertise to help us fulfil our mission: breaking down barriers to music-making for young people in the UK.

Our passionate volunteers bring invaluable support in areas such as fundraising, finance, HR, and digital marketing. Their contributions make a significant impact on the lives of thousands of aspiring young musicians and drive lasting change in society.

Joining the Orchestras for All family in this dynamic and inspiring role offers numerous benefits for you as well.

To learn more, we spoke with two of our former trustees—Emily, a Lecturer at Canterbury Christ Church University, and Kate, Director at Western Jerwood Creative Bursaries—as well as our current Co-Chairs of the Board of Trustees, Beth and Joelle.

Read more: Welcoming a new Co-Chair: Beth White takes up new role as Orchestras for All’s Co-Chair of the Board of Trusteees >

Pictured: Trustees, Ambassadors and OFA team members enjoy a group discussion during an away day.

1. You’ll experience the joy of live (and virtual) events

Emily: When our artistic events are live, the concerts and fundraising activities are hugely enjoyable. Talking to the supporters, young people and their families and seeing the performances themselves is a powerful motivator!

During the pandemic, being invited to OFA’s online events and viewing the videos created after the courses was definitely a lockdown highlight too.

Kate: The pride I feel when the orchestra plays to a packed audience of thousands at the First Direct Arena in Leeds, or when a player talks about the impact of OFA on their life, is immense.

Please donate today and make a difference to young musicians’ lives >

2. You’ll contribute to a great cause

Joelle: I’ve been part of Orchestras for All since 2016 and gained so much knowledge and musical appreciation from the charity, which I’m really grateful for. I’d like to take this opportunity to give back to OFA, an organisation that has given me so much.

Being a trustee is a great opportunity to make an impact within the charity and represent the young people as a young person.

Beth: I would like to bring the voice of the people that benefit from, or have benefited from, the programmes at Orchestras for All. I’m excited to support OFA to launch its new strategy in the best way possible.

Emily: Hearing from our Youth Board about the difference that Orchestras for All has made to their lives is key – and celebrating the successes of the young people OFA works with in a range of fields proves it is making an impact.

Kate: I feel I have played my part, however small, in helping to break down barriers to music-making for young people. Being an OFA trustee gave me a fantastic insight into what goes on behind the scenes to make the charity’s vision a reality. 

3. You can build your professional network

Emily: Being involved in recruitment for key positions is a very practical way of seeing how the charity’s strategy is being implemented and ensuring that it has the skills in its team to achieve it. Helping to build a super team is very satisfying! 

4. You’ll make friends for life

Emily: It’s so wonderful to meet like-minded individuals with a common goal. The thrill when you find out that applications to trusts, foundations and grants have been successful is wonderful and shows that other organisations share and understand our vision. The artistic update at every trustees’ meeting keeps you focused on the art and lets you know what the young people (and the audience) have to look forward to at the next performance.

Beth: When I joined Orchestras for All, I was 13 years old. Before then, I’d only had access to brass bands, so for me it was a great opportunity to join an ensemble and meet people from different backgrounds from around the country. It was my only source of diversity growing up, and I still benefit from this now as a trustee.

5. It looks great on your CV

Kate: I have learnt so much over my years as a trustee about how to make music-making accessible to all young people and this knowledge helps me with my day job promoting diversity and inclusion in the arts.  It really is a two-way exchange of experience between the charity and its Board. 

Emily: As a volunteer, feeling like you are making a difference is vital – if you work for a very large organisation in your day job (as I currently do) you can feel like a tiny cog in a very big machine. But as a Trustee, you feel more like you are the sat nav or co-pilot on an exciting journey. Come and help drive Orchestras for All forward to its next destination!

Keen to become an OFA Trustee? Find out more and apply for our current vacancies >

Music matters: Orchestras for All invites young people in the UK to join its new season of inclusive programmes

Shaping the future of music, one note at a time…

Orchestras for All (OFA) is delighted to announce that it is now recruiting young people, state schools and local community groups for two of its flagship programmes: National Orchestra for All (NOFA) and the Modulo Programme.

Whether a young person is an experienced player or just getting started on their musical journey, OFA welcomes all young people to join its vibrant community and enjoy its life-changing activities.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you’ll never want to leave! It gives you a new outlook on other people and instruments – and it’s something you can’t get anywhere else.”

A Modulo participant commented: “I love Modulo because the people here are super nice and they’ll help you no matter what skill level you are.”

Read more: Not Just A Note – 7 reasons National Orchestra for All’s inspiring young musicians urge others to join >

What are the NOFA and Modulo programmes?

National Orchestra for All: NOFA is an inclusive, non-auditioned national youth orchestra bringing together an inspiring group of around 100 young people aged 11-19 from across the UK – regardless of their background, musical ability or choice of instrument – for an 18-month season of group music-making.

The orchestra performs all types of music, from popular songs to classical works, film music to jazz, video game soundtracks to dance anthems as well as world music. Members also create their own pieces with professional composers.

We want to ensure that cost isn’t a barrier to participating, so everything is covered for young people to join NOFA, including their food, travel, accommodation and tuition. 

Modulo Programme: We support teachers and music leaders in schools and local community groups to set up and run their own mini orchestras, known as ‘Modulos’. They receive all the music and resources they need to create an inclusive, accessible and high-quality musical experience for young people.

Throughout the year, Modulos from different parts of the UK come together to perform as one large-scale orchestra at ‘Modulo Meets’, culminating in an energising showcase of group music-making, with summer concerts open to the public.

Pictured: National Orchestra for All members enjoy a break from rehearsals at CBSO Centre in summer 2024.

Reflecting on the previous season

With its wide range of workshops, social activities, youth leadership initiatives and colourful concerts, NOFA’s 2023-24 season was a truly memorable experience for all involved. Its powerful theme, ‘Sounds of Change’, explored how music can often inspire, reflect and drive change in society as well as within ourselves.

Members had the opportunity to rehearse and perform at Royal Birmingham Conservatoire and CBSO Centre, all the while supported by an expert team of 10 Ambassadors and orchestral and wellbeing tutors.

Chosen in collaboration with the young people we work with, NOFA repertoire included an eclectic mix of works that celebrated diversity and challenged the status quo. From ever-eerie ‘Ghost Town’ by The Specials to Florence Price’s sweet-sounding Symphony No. 1 in E minor, Gamelan-inspired pieces to original compositions written with NOFA members, we’ve taken away memories and connections to last a lifetime.

Read more: 7 ways that youth leadership will empower your youth orchestra >

Meanwhile, 250 young musicians from 30 schools and community groups joined us at leading arts venues in London, Birmingham, Manchester and York for our eight Modulo Meets. Performing Stevie Wonder’s funk classic, ‘I Wish’, as part of their concert programme, participants had audiences grooving all over the country.

In 2024, we were delighted to see 19 new Modulo ensembles established. We also held 20 in-person workshops, created visual scores to make our resources more inclusive, launched a new digital hub for Modulo leaders to access their resources more easily and worked with the first Special Education Needs and Disability (SEND) school to join the programme.

View our summer 2024 picture gallery >

Why should you join our programmes?

By signing up for National Orchestra for All and Modulo, young people and music leaders will have the opportunity to:

• Be part of a national movement: Connect with like-minded individuals from across the UK and be part of something bigger that shapes the future of music.

• Make music accessible: Help us break down significant barriers to group music-making, making it possible for all young people to participate, regardless of their background.

• Perform in prestigious venues: Experience the thrill of performing in some of the UK’s most iconic spaces.

• Learn from the best: Receive expert training and mentorship from professional musicians and educators, with the health and wellbeing of participants at the heart of all programme activity.

How to apply

This is a wonderful opportunity to be part of something truly extraordinary. Take a moment to sign up and let’s continue creating sounds of change with the next generation!

Learn more about our application process and application deadlines below:

Huge thanks to our funders, partners, donors and supporters for making these life-changing programmes possible.

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‘Sounds of Change’: Immerse yourself in live music at National Orchestra for All’s summer concert!

Don’t miss it.

The inspiring young musicians of National Orchestra for All (NOFA) are delighted to invite you to their final concert of the season: ‘Sounds of Change’.

Taking place on Thursday 1 August 2024 from 3-5pm at Birmingham’s CBSO Centre, this special event is relaxed, family-friendly and promises to be an unforgettable experience for performers and attendees alike.

Following two years of powerful group music-making at arts venues nationwide, NOFA is ready to showcase the hard work and incredible achievements of its inclusive ensemble through a diverse programme of live music.

Chosen in collaboration with the young people OFA works with, audience members can expect to hear pieces such as ‘Hornet’ and ‘Reflection’, taken from Christopher Larkin’s gripping soundtrack for video game, Hollow Knight, arranged for NOFA by Emily Lim. Watch the video above to see NOFA’s rendition of ‘Hornet’ at Royal Birmingham Conservatoire in the spring.

Pianist Noah said: “NOFA is a second home for me – a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing! I feel so proud to be part of this organisation.”

Read more: Orchestras for All announces its headquarters relocation to Sheffield >

Pictured: National Orchestra for All receive a round of applause at Royal Birmingham Conservatoire.

Music often mirrors the social, political and cultural shifts occurring in society, so some of the repertoire chosen under NOFA’s artistic theme, ‘Sounds of Change’, is intended to highlight times of significant change or movement. NOFA will therefore be celebrating the Midlands and its fascinating history by playing James Brady’s haunting arrangement of ‘Ghost Town’, written by Jerry Dammers in 1981 and made famous by British two-tone band, The Specials.

Our programme also includes the ‘Allegro’ movement of Symphony No. 1 in E minor – a sonorous, lyrical work penned by American classical composer, Florence Price, which has been arranged for OFA by Simon Tong. 

Plus, NOFA will be joined on stage by 13 young musicians from CBSO’s Learning & Engagement programme and there will be solos, small group performances and original NOFA compositions to be heard such as ‘Strength in Numbers’, which the ensemble created in collaboration with Birmingham-based multi-instrumentalist, Joe Broughton.

Aged between 11 and 19, NOFA members come together from diverse backgrounds and cultures, from all corners of the country – and thanks to our charity’s inclusive, non-auditioned programme, they have been able to experience the joy of playing in an orchestra regardless of the daily barriers they might be facing and take ownership over their learning.

On an individual level, ‘Sounds of Change’ represents the personal growth and development that NOFA musicians experience. This could include mastering new skills, making new friends, growing in confidence and finding a deeper sense of identity through musical expression.

NOFA violinist, Meicha, said: “NOFA is just a wonderful community and experience for young people across the UK.” NOFA cellist, Jess, added: “At NOFA, you don’t have to feel like you have to be the best – you can just play along and laugh if you make mistakes.”

Orchestras for All strives to make its concerts accessible to all, so admission to ‘Sounds of Change’ is free. However, we welcome any donations to the charity and would like to thank each of our individual supporters as well as our loyal NOFA funders – including Arts Council England, Department of Education, Garfield Weston Foundation, Foyle Foundation, Association of British Orchestras Sirens Fund, Finzi Trust, Schroder Charity Trust and Wavendon Foundation – for making this life-changing programme possible.

Music has the ability to shift our mood, alter our perspective and create emotional connection, so whether you’re a long-time supporter of orchestral music or new to the scene, ‘Sounds of Change’ is a wonderful opportunity to experience the transformative power of live music. Come along and be part of our musical celebration. We look forward to seeing you there!

Orchestras for All announces its headquarters relocation to Sheffield

Images: Orchestras for All and Mick Knapton

Transforming the lives of even more young musicians aross the UK…

Orchestras for All (OFA) is delighted to announce the relocation of its London headquarters to Sheffield, marking an exciting new chapter for the non-profit. 

Since 2016 and following years of music-making activity at Camden arts venue, Cecil Sharp House – home to the English Folk Dance and Song Society, with whom OFA looks forward to retaining a close link – OFA’s new headquarters will be based at striking Grade II* listed building, Canada House. 

The move to South Yorkshire comes following OFA’s national callout inviting followers and supporters to share recommendations for its new address, alongside an internal callout, a consultative review among OFA’s core team, Trustees and Ambassadors, and rigorous shortlisting using key selection criteria. 

Though Canada House is currently unoccupied, Harmony Works, which promotes inspirational music education and works to enrich the lives of young people, had responded to OFA’s callout as it is in the process of carefully restoring and revitalising the building to create a thriving new music hub in the heart of Sheffield City Centre.  

Despite Sheffield being one of the largest cities in the country, behind London, Birmingham and Manchester, and while it is already home to a professional orchestra, The Brigantes, it is without a full-time professional symphony orchestra. This makes Sheffield the perfect setting for OFA to widen its impact and further develop its three powerful programmes: National Orchestra for All (NOFA), Modulo and Music Leadership Training. 

National Orchestra for All alum, OFA Ambassador and Sheffield local, Haseeb, said: “Now is the best time for OFA to be moving to Sheffield! It will be quite a convenient location for future courses, since many members would not need to travel as far. I love living in Sheffield because it's quite an outdoorsy city – the greenest city in the UK in fact and is right next door to the Peak District.”   

“Sheffield is a great place for OFA to be based due to its rich musical heritage, being the stomping ground of bands like the Arctic Monkeys and rock bands, Pulp and Def Leppard, among many others. There are some amazing venues for performances to take place, such as Sheffield City Hall and Victoria Hall, which I hope OFA will be able to benefit from.” 

Since OFA first launched in 2011, many other Sheffield-based musicians – including NOFA alum and current Orchestral Tutor, Nazar Khapsalis (watch video above), have experienced the life-changing benefits of playing with others in an ensemble. NOFA’s non-auditioned, mixed-ability youth orchestra is comprised of around 100 inspiring young members, who are welcome to play any instrument and come together from all walks of life – regardless of the daily challenges they might face. 

Some NOFA members have later joined OFA’s governance team, including Haseeb and Youth Board member, Nico (another Sheffield local), who each play an integral part in supporting the charity’s development – from determining objectives and helping to define the culture and effectiveness of the organisation, to taking a hands-on approach when working at OFA’s live events. 

The move to Sheffield also comes following OFA’s recent recognition as a new National Portfolio Organisation (NPO) from Arts Council England, which aims to support arts institutions to deliver creative and cultural activity against the outcomes in its 2020-30 strategy, ‘Let’s Create’. 

Pictured: National Orchestra for All Ambassador, Haseeb, hosts a summer 2024 Modulo Meet in Birmingham.

The Arts Council’s vital funding is awarded to London-based organisations for a three-year period on the basis that their offices are transferred by October 2024, in a bid to improve access to arts opportunities and enable communities to flourish. This aligns closely with OFA’s bold vision: for all young people in the UK to have access to the joy of group music-making.  

 OFA’s national team – who since 2020, have been working remotely from Cornwall to Glasgow, Hampshire to West Yorkshire – hope to feed into the Arts Council’s strategy by sharing the charity’s inclusive practice in Sheffield. 

Director, North, Arts Council England, Pete Massey, commented: “We are delighted that Orchestras for All has chosen to move its national base to Sheffield. Sheffield has a wonderful musical heritage and exciting plans for making music are central to its cultural offer.  

“Orchestras for All will continue to work across the country but will build on its already strong ties with the city to create even more opportunities for young people to engage in music making, helping to develop their skills and confidence. We believe that everyone should be able to experience and take part in high quality artistic and creative activity wherever they live or whatever their background and this is a terrific example of that principle in action.” 

Councillor Martin Smith, Chair of the Economic Development and Skills Committee at Sheffield City Council, added: “I am delighted to welcome Orchestras for All to Sheffield. The news comes just weeks after the announcement that English Touring Opera will also be making the city their home later this year, and I’m confident both will make brilliant additions to our already thriving cultural scene.  

 “Orchestras for All gives young people incredible opportunities to make music. Here in Sheffield, we are dedicated to creating opportunities for all our young residents and to create a city they can prosper in. That is why we are committed to supporting the development of a regional music education hub for young musicians here in the city through the Harmony Works project.” 

Through OFA’s close partnership with Sheffield Music Hub and Sheffield Music Academy, it will be supporting the city’s vision to provide inclusive group music-making opportunities for all young people and local schools, while also helping to develop music education that’s robust, sustainable, vibrant and accessible. 

This can be achieved through the training and delivery of OFA’s award-winning programmes and residential courses. Frequent collaborations with local youth leaders, music educators, artists, mental health advocates and wellbeing professionals alike will mean that OFA’s relocation can spark a truly positive ripple effect across the UK and inspire lasting social change. In future, the team will invest in new staff from across the region as well as share impact evaluation and key learnings at national conferences to amplify our messaging. 

Co-Chair to OFA’s Board of Trustees and NOFA alum, Beth White, said: “We're so excited to be joining the music scene in Sheffield, helping the push to expand into areas where youth orchestras can have a positive cultural impact. Moving out of London is going to give Orchestras for All the chance to interact with many more individuals and charities, forging new relationships and breaking down even more barriers.” 

A group of young musicians and their school teacher participate in the summer 2024 Modulo Programme.

Head of Sheffield Music Hub, Ian Naylor, added: “We are over the moon that this fabulous music education organisation will be moving to Sheffield. We have a longstanding partnership with Orchestras for All borne from mutually shared values in standing up for musical access and opportunity for children and young people from all backgrounds, welcoming musicians with a broad range of interests, putting young people at the heart of our work and sharing the joy of collective music making. 

 “The arrival of Orchestras for All here in Sheffield will have a profound impact on opportunities for our young people, schools and music making groups across the region - watch this space for some incredibly exciting collaborations and welcome to the greatest city on earth!” 

On behalf of everyone at OFA, we would like to extend our sincere thanks to all those involved in our relocation this year and are eager to see what the future holds for our charity. 

Please support young musicians in the UK by donating to Orchestras for All >

Not Just A Note: 7 reasons National Orchestra for All’s inspiring young musicians urge others to join

From connecting with our thriving musical community to performing at iconic arts venues, here’s everything you need to know…

Are you a keen young musician aged 11-16 in the UK and looking to be part of something extraordinary, or do you happen to know someone else who is? Do you believe in the power of music-making to bring people together from all walks of life? If so, National Orchestra for All (NOFA) wants to hear from you!

Our memorable two-year season with the current members of NOFA ends in August, which means that this autumn, our friendly team will be getting ready to recruit the next diverse group of young people to join us (as well as welcome back some of our existing members).

But what exactly is NOFA and why should you join? Read on as our current NOFA members share seven reasons you should consider signing up for this epic youth orchestra…

1.   National status

Whether you’re based in London, Edinburgh, Belfast or Manchester, you’re welcome to join NOFA. Our national orchestra is made up of around 100 young people from across the UK, who come together to rehearse and perform in set locations throughout the year.

In this diverse community of like-minded individuals, you’ll have the opportunity to make new friends, share exciting musical experiences and learn from each other’s different cultures and backgrounds.

NOFA cellist, Santiago, said: “NOFA provides the opportunity to meet people you’ve never seen before and make great connections all around the UK.”

2.   Inclusive environment

Young musicians in NOFA are welcome to play non-traditional orchestral instruments, including guitars.

At NOFA, any young person can participate regardless of their musical ability, background, chosen instrument (including those not usually found in a traditional orchestra, such as guitars and melodicas), or the daily challenges they might be facing – whether that’s physical disability, a mental health condition, learning difference, rural isolation, economic deprivation, living in care or living as a young carer.

We aim to promote a happy, collaborative and empathetic environment where both the young people we work with and NOFA staff feel valued, fostering a sense of belonging. From using pronouns and inclusive musical arrangements, to providing support for those with additional needs, NOFA is truly for all.

NOFA trumpeter, Cameron, said: “I would strongly recommend joining NOFA because I really feel like it gives back to others if you haven't had as much access to music before – I have personal experience through this. I love being part of the inclusive orchestra and anybody would be welcome and included.”

3.   No auditions

Pictured: National Orchestra for All members perform to a live audience at Royal Birmingham Conservatoire.

Unlike most traditional orchestras, you won’t have to worry about auditioning for NOFA as we encourage young musicians of all skill levels to join – from beginners right through to Grade 8 for those completing exams (but this isn’t a NOFA requirement).

Without the competitive pressure of auditions or fear of failure in a typical selection process, participants can focus more on their learning and collaborate in a stress-free setting. At NOFA, the primary goal is for young people to enjoy the collective experience of playing music together with others.

NOFA cellist, Jess, said: “It’s a good place to join if you are nervous about going to an orchestra because it’s just one big happy family! You don’t have to feel like you have to be the best; you can just play along and laugh if you make mistakes.” 

4.   Expert guidance

NOFA musicians will be supported during each residential by our friendly team of wellbeing staff (pictured).

From the moment each young person signs up for NOFA, they receive expert support tailored to their individual needs by our friendly team of staff.

Held a few times each year, our four-day NOFA residentials are led by experienced conductors, orchestral tutors and music educators who are passionate about helping young musicians reach their full potential, providing all the training and mentoring they need to thrive in full orchestra rehearsals and live performances. This includes one-to-one sessions and sectional rehearsals with smaller groups. Young people are also supported by our brilliant team of wellbeing staff, who are always on hand to ensure that everyone feels safe and happy.

NOFA keyboardist, Noah, said: “NOFA is a second home for me, a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard, and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing!”

5.   Diverse repertoire

Being part of NOFA’s inclusive ensemble, you’ll get to rehearse and perform music spanning all kinds of genres and styles – from popular chart hits to classical masterpieces, world music to captivating film and video game soundtracks. Embracing music and learning by ear in this way introduces the young musicians we work with to different musical traditions and cultures as well as providing concert audiences with a unique and enriching experience.

You’ll also get to collaborate with other NOFA members and guest musicians to create original compositions. This season, NOFA created ’Strength in Numbers’ with composer and multi-instrumentalist, Joe Broughton, which has become a firm favourite (watch and listen above).

NOFA flautist, Keaton, said: “You should join NOFA because it’s a great opportunity to improve your musical ability!”

6.   Performance opportunities

National Orchestra for All members and Artistic Director, Emma, perform at Royal Birmingham Conservatoire.

For many young musicians who join NOFA, a highlight is having the chance to perform live. This could be to each other during group jam sessions, NOFA’s famed recital evenings, or to friends, family and members of the public at prestigious music venues like Royal Birmingham Conservatoire and Nottingham’s spectacular Albert Hall.

While performing enables NOFA members to showcase their musical achievements, it also gives them the opportunity to inspire others through the power of group music-making and share the transformative benefits of live music – like boosting wellbeing – in their local communities.

NOFA violinist, Miecha, said: “It’s nice to go somewhere independently and find yourself, and meet other people from across the UK.”

7.   Personal growth

National Orchestra for All is about more than just playing music – here you can make lifelong friendships.

While we value creativity, NOFA isn’t just about playing music – it’s about personal growth. As well as improving your musical skills, joining the orchestra will boost your confidence and help you develop vital skills. This could be through teamwork or youth leadership opportunities such as becoming a Young Leader or later an Ambassador, where you can provide support as a NOFA alum to members as well as the Orchestras for All team in key areas, including production, marketing and artistic planning.

You’ll learn how to listen and collaborate with others, take ownership over your own learning and wellbeing, and create something truly special that you can feel proud of with an inspiring group of individuals.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you will never want to leave! It gives you a new outlook on other people and instruments, and it’s something you can’t get anywhere else.”

Are you interested in learning more and signing up for NOFA?
Would you like to nominate a young person for the orchestra?
Register your interest using the form on the NOFA page below: