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University of York’s spectacular concert hall hosts the Modulo Programme’s final meet of the spring

Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way

We’re already counting down the days to our summer sessions…

Following a successful series of events in Birmingham, London and Manchester, Orchestras for All (OFA) took its fourth and final Modulo meet of the spring to the picturesque city of York.

Taking place in the grand surrounds of the Sir Jack Lyons Concert Hall at the University of York, which boasts a peaceful riverside setting for its music students, the programme welcomed 60 young people to enjoy its inclusive music-making activities this time round, led by Associate Conductor, Rocco Brunori.

A superb effort from each of our mixed-ability participants – who joined us from Heworth Grange School, Parkside School, Immanuel College​, All Saints Catholic College, Woodham Academy and St. Bede’s and St. Joseph’s Catholic College – as well as OFA Ambassadors, Nell and Grace, who kindly supported young musicians in the string and woodwind sections.

Despite having only met each other for the first time on the day, the newly-formed ensemble played Nena’s ‘99 Red Balloons’ and Joe Hisaishi’s ‘Merry-Go-Round of Life’ beautifully, rounding off this year’s spring sessions in good spirits and leaving us all feeling energised for the summer Modulo meets ahead.

We look forward to seeing you again soon – but first, please enjoy our York snaps below!

Read more: Royal Northern College of Music welcomes 83 young people for a day of group music-making with Modulo >

Orchestras for All Ambassadors, Nell (left) and Grace (right) smile at the camera as they stand in front of the University of York’s beautiful tree-lined riverside location
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way
Two images side by side, showing a picturesque historic building in York on the left and the University of York Concert Hall entrance on the right
A tree-lined riverside image of the student campus at the University of York, just outside the Concert Hall
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York, with strings in focus
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way
Modulo Programme Manager, Sam, enjoys a serene riverside setting in York as she stands on a bridge with fellow OFA team member, Sarah

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today:

Royal Northern College of Music welcomes 83 young people for a day of group music-making with Modulo

83 young musicians and orchestral tutors hold up their instruments in the main hall at the Royal Northern College of Music

Making lifelong memories at our third meet of the spring…

After kickstarting our spring Modulo meets in Birmingham and London, the Orchestras for All team took to the road once again to bring the charity’s powerful music-making programme to students in and around the city of Manchester.

Held at the Royal Northern College of Music, the third Modulo event of the season was attended by 83 young people from six maintained schools in the UK – including Hathershaw College, Bellerive, Bridgewater, Philips, St Patrick’s and Ullswater – and with bassoons, drum kits and electric guitars in the room, what a wonderful sound they all made.

With a revitalised push for more music in schools following the national plan for music education, the Modulo Programme exists to support teachers and community music leaders in setting up a small, inclusive ensemble of their own, before inviting participating students to team up with others from across the country to play together as one giant orchestra.

From soothing warmups with our Artistic Director, Emma, and a friendly greeting from Ambassador and former National Orchestra for All member, Haseeb, to an energising orchestral rendition of of an 80s pop classic, our Modulo meet in Manchester was surely a day to remember. Scroll down for a few of the highlights!

Read more: This gallery of 108 young Modulo musicians gathering in London is the wholesome content we all need >

OFA Ambassador, Haseeb, stands behind a xylophone at the RNCM in his purple Orchestras for All t-shirt.
Three brass players stand side by side and show their instruments to the camera.
A photo of the staircase at the Royal Northern College of Music, which reads: 'For 50 years the RNCM has fuelled the ASPIRATIONS of young musicians, composers, conductors, educators, and entrepreneurs from all over the WORLD.'
Two Modulo cellists sit beside their instruments and enjoy a moment of laughter during the break.
Artistic Director, Emma, holds her arms up high and leads the Modulo ensemble in the main hall as they sit around her.
A young bassoon player smiles at the camera and shows us his instrument – the only bassoon player in the room!
An image of instruments in the percussion section, including a large bass drum that has the initials 'R.N.C.M.' written on the top.
Our Modulo conductor shares her expert guidance in front of the young ensemble.
A front portrait of the orchestra, with strings, woodwind and some percussion in shot, as Artistic Director Emma holds her right arm high up in the air.
A close-up image of a black Steinway & Sons piano, its stool and some sheet music from this year’s Modulo repertoire.
A group shot of the orchestra in the main hall at the RNCM, taken from the view of the pianists.
A group shot with the guitar, brass and woodwind sections in focus.
A group shot with the brass section in focus.
A group shot with the strings in focus as conductor Emma introduces Ambassador Haseeb to the ensemble.
Ambassador Haseeb stands in front of the orchestra and shares a friendly greeting.
Brass players sit side by side and hold up their instruments, including two trombones.
A close-up of a trumpet, resting on a chair.
A group shot of the orchestral tutors, ambassadors and volunteers as they prepare to play a piece for today’s Modulo participants.
A group shot of the string section as they hold their bows up high during a full orchestra rehearsal.
Two violinists share a joke and laugh together during a rehearsal.
A group shot of the orchestra during a quick collaborative activity.
A close-up of a cello, resting on the floor during the break.
An image of the Modulo ensemble speaking to each other during a group activity.
A music teacher stands with a brass instrument as he helps two young musicians with electric guitars
A close-up of an electric guitar with a young person’s name sticker stuck on the front reading 'Maisie'
A powerful group shot of the full Modulo ensemble in the main hall at the RNCM, taken from the front view
An image of the full orchestra, taken from the side
An image of a sheet of music for '99 Red Balloons', placed next to a trombone and some neon lights
A student wearing a jumper with the 'RNCM' logo stands beside her violin case, which has several colourful stickers on the front.
A group of post-its on the table with words written by Modulo participants at the end of the day, including 'happy, satisfied, buzzing', 'proud, developed, grateful' and 'tired but happy!'

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today:

This gallery of 108 young Modulo musicians gathering in London is the wholesome content we all need

A violinist holds up his instrument and smiles at the camera in the main hall at Cecil Sharp House

Pure joy in the form of young people and their musical instruments…

As part of our spring meets for the Modulo Programme, 108 students from schools all across the country joined Orchestras for All in London for an energising day of group music-making.

Taking place at Camden music venue, Cecil Sharp House, the inclusive event came following a successful first Meet of the year at Midlands Arts Centre in Birmingham, kicking off an exciting new season of activity with our mixed-ability ensembles.

Modulo’s main aim is to create a warm environment where young people from any background can thrive and enjoy making music with others – regardless of their musical ability, experience, personal circumstances or the instrument they choose to play – and the London leg of our spring Modulo tour certainly left both participants and staff members with fond memories.

All students did a fantastic job of playing through Nena’s ‘99 Red Balloons’ and Hisaishi’s ‘Merry-Go-Round of Life’, with schools in attendance including Oak Wood​, Gable Hall, Southborough High School, Oasis Shirley Park, Thames Park as well as Harris Academy schools from Bermondsey, Merton, Morden and Orpington. Scroll down for all the highlights!

Read more: Modulo in pictures: Midlands Arts Centre hosts OFA’s first spring meet >

Two students in school uniform smile at the camera
A brass player holds her instrument and smiles at the camera, while other Modulo students prepare instruments on stage behind her.
A Modulo flautist enjoys a quick chat with her neighbour during sectionals.
Two percussionists enjoy a playful exchange with drumsticks and mobile phones at break time.
A student wearing a pink school shirt and glasses smiles with her guitar.
A Modulo participant holds up her violin and bow.
A group shot of Modulo students in the main hall at Cecil Sharp House, with a keyboardist in focus and others can be seen playing their harmonicas in the background.
A bold image of brass players lined up in a row, holding their shiny trumpets and trombones up high.
Conductor Rocco stands up and holds his arms up high in the air as he leads the London Modulo ensemble, who can all be seen sitting in front of him.
Two girls with blonde hair and school blazers strike a pose with the xylophone.
A woodwind player smiles from behind his music stand.
A Modulo guitarist focuses on the music as she looks down towards her instrument.
A Modulo drummer smiles at the camera, holding up his drumsticks in an 'X' shape.
This photo was taken from behind the grand piano, with two students seated there and they look out towards a busy group shot of the London Modulo ensemble in Cecil Sharp House, with a large artwork on the wall in the background.
Three girls in school uniform sit in a row and laugh with their mobile phones during break time.
A Modulo student and her teacher catch up in the main hall.
A string player stands tall with her instrument, smiling towards the camera.
A violinist reads sheet music as she plays her instrument.
Two woodwind players sit and rehearse together.
Woodwind and saxophone players pick up the melody during a sectional rehearsal.
Conductor Rocco stands in front of the Modulo ensemble in the main hall at Cecil Sharp House.
The London Modulo ensemble play together in the main hall at Cecil Sharp House.
Conductor Rocco is in focus, addressing the orchestra with his microphone.
Modulo flautists flutter with their instruments.
Percussion tutor Andre guides students in his section.
A violinist holds up her instrument and looks up towards the conductor.
A young participant laughs with her musical neighbour in the guitar section.
Two boys enjoy each other's company at lunchtime over cake and fizzy pop.
OFA’s Operations Manager, Helen, sits next to her laptop and smiles at the camera
Two students volunteering to do vox pops laugh with Communications Manager, Helena
Broaden Productions’ videographer, Sam, stands behind the camera as he gets ready to record vox pops
OFA Ambassador, Keefe, gives videographer Sam the thumbs up as he stands in front of the camera
Three girls stand in a line and give videographer, Sam, the thumbs up
Conductor Rocco shares his conducting skills with a Modulo participant
A great group shot of the orchestra taken from the angle of the strings
Conductor Rocco doing what he does best and leading the way
Cellists focus during full orchestra rehearsals
A guitarist looks down towards her instrument as she plays
Artistic Director, Emma, holds up her violin and laughs during a full orchestra rehearsal
Two girls who are good friends at their school sit with their keyboards and hold hands
Two girls play the grand piano in the main hall at Cecil Sharp House
A group shot of the London Modulo ensemble in the main hall at Cecil Sharp House
A percussionist smiles at the camera as he stands by his instrument
Two percussionists smile and give the camera the thumbs up
Two guitarists sit side by side – one is a blue electric guitar and the other black and white.
Two guitarists sit with their instruments and smile up at the camera
A group shot of the strings in the main hall at Cecil Sharp House
Brass players sit in a row and hold up their trumpets as they play.
A group shot of participants in the percussion section, with a drum kit and bongos in focus.
Percussion tutor, Andre, holds up his arm and makes students laugh as they all stand in a circle during a sectional rehearsal.
A group of flautists play together during a sectional rehearsal.
Woodwind players and flautists play together during a sectional rehearsal
Guitar tutor, Ralph Porrett, leads the way during a sectional rehearsal
A group shot of the string sectional, with participants all gathered around in a circle.
A photo of the main hall at Cecil Sharp House, facing a painting on the wall and with a xylophone and other percussion instruments in focus
A group shot of the full orchestra in the main hall at Cecil Sharp House
Modulo Programme Manager, Sam, smiles and points towards the orchestra in the main hall
A group of participants wave goodbye to the camera at the end of the day
Surrounded by trees, a sign outside the venue reads: 'Cecil Sharp House, The English Folk Dance And Song Society'

Modulo Programme in pictures: Midlands Arts Centre hosts OFA’s first spring meet

The percussion section at the spring Modulo Meet in Birmingham

What a wonderful start to live activity in 2023…

On Tuesday, Orchestras for All welcomed 120 school students to the Midlands Arts Centre in Birmingham for its first Modulo Meet of the spring – and it was pure joy.

From calming stretches during group warmups and energetic sectionals to conducting demos with young people and full orchestra rehearsals, it was surely a day to remember and we’d like to extend our thanks to all those involved (including two of our inspiring Ambassadors, Chloe and Noah!).

Next week, we’ll be taking the Modulo Programme to Cecil Sharp House in London and the Royal Northern College of Music in Manchester but before we do, scroll down for a few of this week’s musical highlights!

Read more: 504 students from 35 UK schools to perform a protest song as part of Orchestras for All’s Modulo Programme >

On behalf of everyone at Orchestras for All, we would like to thank our funders, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today:

504 students from 35 UK schools to perform a protest song as part of Orchestras for All’s Modulo Programme

Left – Modulo musicians perform as a group at the Royal Birmingham Conservatoire. Right – a young brass musician smiles for the camera.

Modulo participants will also be teaming up to play a popular film theme penned by esteemed Japanese composer, Joe Hisaishi.

The 2023 spring season of musical activity is well underway at Orchestras for All (OFA) and for the Modulo Programme, this means working with a keen new cohort of students and music leaders from maintained schools across the UK.

Due to growing demand for participation in its music-making activities, the Modulo Programme was oversubscribed for the first time in OFA’s 10-year history, with a total of 43 applications. The team are now pleased to welcome 504 students from 35 schools, from Croydon to County Durham – 26 of which are new to the programme and eight returning.

Of these schools, 11 are from Arts Council England’s Levelling Up for Culture Places​, six are from its Priority Places, 22 have more than the national average claiming Pupil Premium (27 per cent) and seven have 40 per cent of pupils eligible due to economic deprivation.

A participating teacher said: “I am developing my music department and need support – every year, we are getting more and more students picking up an instrument or wanting to learn; however, we do not yet have an established orchestra or ensemble as I don’t have the time or resources to set up and lead an accessible ensemble.”

While the majority of Modulo ensembles are based in schools, we are delighted to share that one of this year’s ensembles has also been set up for young people who are home-educated, making our charity’s work even more inclusive as we strive to reach those who are otherwise unable to access group music-making opportunities.

Read more: BBC Young Jazz Musician 2022 finalist Ralph Porrett shares a virtual tea break with Orchestras for All >

Modulo’s inclusive arrangements have been specially designed to cater for all levels of experience and abilities – from beginners right through to Grade Eight musicians – as well as different instruments, including non-traditional instruments. Some participants have physical disabilities, others are young people with SEND and throughout the season we will be collaborating with a member of OFA’s wellbeing team, Xia-Leon, to produce parts using Braille music for visually impaired members of the youth orchestra.

This year, OFA’s Modulo Meets will be taking place in four vibrant city locations, at arts venues and higher education institutions each boasting a prestigious reputation as we seek to inspire the young musicians participating in our programmes.

Learn more about Orchestras for All’s impact >

In Birmingham, we’ll be heading to the Midlands Arts Centre (MAC) and Royal Birmingham Conservatoire, while London Meets will be held at Cecil Sharp House and the Royal Academy of Music. Further north, participants will be teaming up at the Royal Northern College of Music in Manchester as well as the University of York.

Repertoire is based around the theme ‘Sounds of Change’ and will include the 1984 chart hit and protest song, ‘99 Red Balloons’, which was made famous by German singer-songwriter Nena, along with ‘Merry-Go-Round of Life’ – the stunning main theme for anime movie, Howl’s Moving Castle, written by Japanese composer, Joe Hisaishi. With several bass guitarists, alto saxophones, drummers and French horn players joining the ensemble in 2023, our new cohort of young musicians will surely be making a powerful sound.

Alongside Artistic Director, Emma Oliver-Trend, a team of professional orchestral tutors – including BBC Young Jazz Musician 2022 finalist, Ralph Porrett (watch video below) – and conservatoire and university students will be on hand to support each section of the ensemble.

They will be joined by OFA’s core team, 10 inspiring new Ambassadors (former Modulo and National Orchestra for All members) and Modulo Leaders, who will also be supporting participants throughout.

While each event will provide a similar structure – including full orchestral rehearsals, sectional rehearsals, a creative project and time for performing and social activities – each participant can expect to enjoy a bespoke musical experience based on their individual needs.

A recent Modulo participant said: “I feel more confident after this experience because I’ve played in front of a lot of people, so now I feel like I can do anything!”

Another commented: “Go to Modulo if you want to learn how to play a new instrument – but even if you already play one, it’ll still help you to build on your skills.”

On behalf of everyone at Orchestras for All, we would like to thank our funders, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today:

‘Before joining National Orchestra for All, I felt helpless – but now I’ve grown in confidence and independence,’ says autistic double bass player, Noah

National Orchestra for All alumnus and double bass player, Noah

‘It’s all about the music.’

In 2017, autistic musician, Noah, joined National Orchestra for All (NOFA) after struggling to access inclusive music-making opportunities.

Fast forward to 2023 and the 19-year-old double bass player is now an ambassador for the inspiring ensemble, which celebrates all young musicians regardless of their differences or personal circumstances.

We caught up with Noah and his mum, Su, to learn more…

How has NOFA impacted your life?

Noah: “Before I joined NOFA, it wasn’t a great time. I had difficult personal circumstances and wasn’t in school because of bullying and unmet support needs for my autism. I was lonely and had no-one to talk to. My future was very uncertain and I felt helpless.

“Then I met Ed and Charlotte (fellow double bass players) through NOFA who gave me more confidence in my bass playing. Ed encouraged me to do grades and I’m now working on Grade Six! I found other people I could talk to and share my love of music with. It really helped seeing different campus life, accommodation and more, and I am now planning to go to uni.

“My first concert in Leeds Arena was great. I got to play music and be part of a bigger thing. Going to Leeds was my first experience of being away from home – I have enjoyed going to different places. It has really helped my bass playing, I’ve grown in confidence and independence and I learnt to deal with challenges.”

Su: “The two-hour round trip to Leeds every week was a commitment but it really developed Noah’s confidence travelling on the train – a key life skill that didn’t come naturally to him. Throughout his time with NOFA, Noah has practised many vital skills in a safe and supportive environment outside of his special school. I can’t stress enough how much this helped his development and wellbeing.”

Read more: BBC Young Jazz Musician 2022 finalist Ralph Porrett shares a virtual tea break with Orchestras for All >

Pictured: Noah (top right) plays double bass at National Orchestra for All’s Nottingham summer 2022 concert

Pictured: Noah (top right) plays double bass at National Orchestra for All’s summer concert in 2022.

What made you choose NOFA over another orchestra or music group? 

Noah: “I didn’t feel able to access anything else. I like having a week-long programme, spending so much time practising music and getting better. I felt included at NOFA – it doesn’t matter where you are from or what you are like, it’s all about the music rather than where you live or go to school.”

Su: “As a parent I have watched Noah struggle and hover on the edge of groups, never really being able to join in. He was adamant that he needed me to come with him to his first NOFA course. Here I was able to see him relax and join in and gradually, I was able to take a step back knowing he was in safe hands and supported by such a fantastic team. 

“As Noah gained in confidence to attend more independently, we were given the gift of respite care; something that used to be provided by local authorities but is almost non-existent now. For all the families of disabled members, NOFA provides a much-needed and appreciated service by default!

Please help us make a difference and donate to National Orchestra for All >

Any standout moments from NOFA 2021-2022?

Noah: “I enjoyed playing a solo; I did not have the confidence to do this when I started! And playing the music – my favourite pieces were Britten’s Young Person’s Guide to the Orchestra and Romanian folk song, ‘Spoitoresa’.”

Su: “The whole course was just one brilliant thing after another; I saw Noah talking to other musicians and interacting. On the first evening, Noah also ventured into the common room by himself and then put himself to bed – this may seem trivial but these were major achievements. He had become so withdrawn and struggled so much, so NOFA has given him much more than the chance to perform wonderful music.

“NOFA’s recital evening also blew me away and seeing Noah perform made me cry! I couldn’t see how things could get any better but they did. I didn’t realise that Leeds Arena really is a vast arena. I just couldn’t believe what I saw and experienced. Thank you so, so much – OFA really has changed Noah’s life and our family are extremely grateful for everything.”

Did you learn anything in particular during your NOFA experience that will help you in future? 

Noah: “Confidence. Now I feel able to try new things and talk to people, like I did when I joined the Youth Board. Independence. When I first started, I needed my mum to come with me but now feel confident going away with NOFA on my own and being able to talk to people about music as well as other things including being able to ask for help. Finally, I’ve also improved my musical knowledge and understanding and would have the confidence to join another music group or orchestra as an adult!”

Read Orchestras for All’s latest impact report >

Su: “Noah also joined in with icebreakers, spoke in front of everyone at the teatime sessions and even played a solo. Noah has made huge progress socially, emotionally and musically. Music gives him all of these things and it was OFA that allowed him to take the first step to see the potential of where music could take him in life. Even before Noah got a place at a special school, his friends and family had all noticed a huge difference in him after his time with NOFA. He stood taller and spoke to people about the concert and course.

“I can’t even begin to list all the times staff have taken the time to encourage and support Noah. They are all so skilled, professional and kind, I don’t think they know the huge difference they are making – OFA’s generous nature makes everything flow so naturally. Members are appreciated for who they are and what they contribute. The sum of the parts of the orchestra is definitely much greater than all the individuals.”

Please support other young musicians like Noah and donate today >

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BBC Young Jazz Musician 2022 finalist Ralph Porrett shares a virtual tea break with Orchestras for All

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The guitar virtuoso will be supporting young musicians in this year’s Modulo Programme, so we caught up with him to find out more...

Inspiring guitarist, vocalist, composer and improviser, Ralph Porrett, has been making waves on the music scene following his stellar live performance in the BBC Young Jazz Musician 2022 final last November.

Taking place at London’s prestigious Queen Elizabeth Hall, Ralph’s captivating show included an original suite of music, Ode to Arnheim, which he had written especially for house band, Nikki Yeoh’s Infinitum, who accompanied him throughout.

The 23-year-old Guildhall graduate has also collaborated and toured with the likes of saxophonist and MOBO Award winner, YolanDa Brown, pop singer-songwriter, Tom Rosenthal, City of Birmingham Symphony Orchestra and the National Youth Jazz Orchestra, among many others, and is due to release his highly-anticipated collection of EPs throughout 2023.

When he’s not busy pursuing his own passion for music, Ralph dedicates his time as a guitar tutor and arranger to support participants of Orchestras for All’s Modulo Programme, which kickstarts a vibrant culture of orchestral music-making in maintained schools across the UK and brings young musicians together to perform as one large-scale ensemble.

During a recent interview (watch video above), Ralph told us: “I’m really excited to be involved with Modulo again this year, with our dates taking place in March and July. I’ve been looking at the guitar parts already and re-orchestrating some of them to make them as fun, guitar-friendly and accessible as possible for all levels and abilities.”

Read more: OFA celebrates positive change for young musicians in latest impact report >

Pictured: Guitarist Ralph Porrett performs live at the BBC Young Jazz Musician 2022 final (BBC)

Ralph continued: “Guitar isn’t a traditional orchestral instrument – but participants of Modulo can expect to be playing some really fun music that does fit in to an orchestral ensemble. I think they’ll have a great time collaborating and music-making with some classical instruments that guitarists might not usually have the opportunity to play with.”

Learn more about the Modulo Programme >

Before teaming up with students from other schools at OFA’s Modulo Meets, individual Modulos – a group of up to 15 young people, aged 11-18 – are formed, which are totally inclusive and welcome players regardless of their musical ability, previous experience or chosen instrument, in a bid to break down barriers to music-making.

A recent Modulo participant said: “I feel more confident after this experience because I’ve played in front of a lot of people, so now I feel like I can do anything!”

Another commented: “Go to Modulo if you want to learn how to play a new instrument – but even if you already play one, it’ll still help you to build on your skills.”

All about that bass: Ralph supports a Modulo guitar sectional at the Royal Birmingham Conservatoire

Sharing top tips for new Modulo participants, Ralph said: “Collaborate with like-minded individuals in your section and make new friends. You’ll also play diverse repertoire at Modulo, which can present stylistic challenges and expose you to music that you might not necessarily listen to but have the opportunity to play.

“And finally, at the end of a Modulo day you’ll get to perform your work – that’s so important because you can be in your bedroom all day long practising your music to your heart’s content but actually, music is about giving and expressing these things that we’re feeling with others.”

Watch Modulo musicians in action at the Royal Northern College of Music >

Speaking out about the importance of diversity and inclusion, Ralph added: “When you have a network of people from different backgrounds, how amazing that can be. They might have different education, be different ages and listen to different music at home but when you throw them all in a room together, that’s when special things happen and the most original music-making can take place.

“The arts industries are usually a reflection of what’s happening culturally and art should drive the ideas and thoughts of wider society. It’s important that musical institutions think really seriously about diversity, equity, inclusion and accessibility – and that’s why it’s so brilliant that children can get involved with Orchestras for All because that’s their mission.”

To support young musicians on our Modulo programme, please donate today >

Orchestras for All celebrates positive change for young musicians across the UK in latest impact report

Modulo musicians at the Royal Academy of Music

“Seeing how energised our young musicians were while making music together again was a perfect reminder of why this charity exists.”

Orchestras for All (OFA) has released its impact report for 2021-22 as the charity continues its life-changing work in breaking down barriers to music education for young people in the UK.

From taking home the award for ‘Outstanding Musical Initiative’ at the UK-wide Music and Drama Education Awards 2022, to raising £17,000 for its programmes through a heartwarming digital campaign, Music Changes Lives, there’s certainly been much to celebrate.

OFA’s trustee and National Orchestra for All (NOFA) alumna, Joelle, commented: “It’s been yet another eventful year, full of exciting activities, productive meetings and incredible achievements as well as a time of reflection. After coming out of lockdown, we were finally able to return to in-person events, reuniting the young people we work with and inspiring even more music leaders.

“Seeing how energised our young musicians were while making music together again after a long two years of the pandemic was a perfect reminder of why this charity exists and is so needed. Team discussions constantly revolve around ‘what is best for young people’ and ‘what we can do better for them’.”

Read more: Season’s greetings: 12 days of Orchestras for All memories >

Pictured: National Orchestra for All (NOFA) musicians perform live in Nottingham in summer 2022

Alongside growing its team to become truly national, OFA held two live webinars for 91 participants in 2022 as part of its Music Leadership Training programme. Meanwhile, six online events and nine live events took place for its NOFA and Modulo programmes, welcoming 35 Modulo schools and 82 NOFA members.

Learn more about OFA’s three programmes >

With youth leadership at the forefront of OFA’s work, the Youth Board and team of Young Leaders were involved in key decision-making throughout the year, while five inspiring NOFA alumni were engaged to join the team as ambassadors – playing a crucial role in the delivery of OFA’s activity, from logistical to marketing.

Joelle said: “Despite having so much to feel proud of, OFA remains humble and self-critical. This is what drives the team forward and allows them to achieve so much. That’s why over the past year, the charity has introduced dedicated safe spaces and increased the number of wellbeing staff at its events as well as creating ‘pen profiles’ for all young musicians and staff, which highlight an individual’s specific needs to ensure they receive the right level of support.”

She continued: “OFA is an amazing charity that helped us tremendously throughout our adolescence and makes us proud now as adults. Although we’ve reached our final few months as Chairs of the Youth Board, we couldn’t feel more secure in passing the torch on to Chloe Morgan – our newly-recruited Trustee and National Orchestra for All (NOFA) alumna.”

With plans for 2023 already in full swing, OFA is now approaching its first full season of face-to-face musical activity since 2018-19, which will be complemented by online meetings and briefings and a strengthened wellbeing offer to ensure all young people, staff and trustees are fully supported throughout.

On behalf of everyone at Orchestras for All, the team would like to thank all those who were part of the charity’s journey in 2021-22 and look forward to welcoming the next cohort of young musicians and music leaders to its programmes this year.

See OFA’s 2021-22 impact report >

Season’s greetings: 12 days of Orchestras for All memories

Modulo musicians

From award wins to powerful live concerts, that’s a wrap on 2022…

What a memorable year it has been! We have so much to celebrate and be grateful for here at Orchestras for All (OFA) and would like to take this opportunity to thank all those who were part of our journey in 2022.

Without the ongoing support of our incredible partners, funders, supporters, tutors, trustees, volunteers, alumni, ambassadors, and of course, our brilliant Youth Board, OFA’s life-changing programmes for young people would not be possible.

OFA’s young trustees, Beth and Joelle, told us: “It’s been yet another eventful year, full of exciting activities, productive meetings and incredible achievements as well as a time for reflection. Seeing how energised our young musicians were while making music together again after a long two years of the pandemic was a perfect reminder of why this charity exists and is so needed.”

We can’t wait to meet and get started with our new cohort of National Orchestra for All and Modulo musicians very soon.

For now though, it’s time to rest up and recharge but to mark the festive period, we’ll leave you with 12 OFA memories from 2022 – and 2023, we’re ready for you! 

1. The excitement of returning to live activity and reconnecting with our musical friends

2. Winning the award for ‘Outstanding Musical Initiative’ at the Music & Drama Education Awards 2022 – OFA’s first ever award

Music & Drama Education Awards 2022

3. We met with Modulo schools and collaborated with diverse students and music leaders from all across the country, playing an eclectic programme of repertoire

4. Welcoming barrier-smashing new members of the team, Youth Board and trustees – including National Orchestra for All (NOFA) member, Chloe!

Orchestras for All team, trustees and ambassadors

5. NOFA’s famed recital evenings – we laughed, we cried and most importantly, we went away feeling inspired by the young people we work with

6. Our powerful summer concert with NOFA, complete with body percussion, a Britten masterpiece and spoken word produced in collaboration with poet, Ben Macpherson

7. Raising over £18,000 from our winter fundraiser, Musical Chairs 2022, hosted by NOFA members Tashan, Nell and Chloe

Musical Chairs 2022

8. Being constantly blown away by how incredible our five Ambassadors were – for example, Kate and Joe’s epic presentation on behalf of OFA at NYMAZ and Harrison Parrott’s Symposium

9. Collaborating with experts from across the music and education sectors during our thought-provoking Music Leadership Training webinars

10. Sharing a virtual tea break with esteemed conductor and Artistic Director at El Sistema Greece, José Ángel Salazar-Marin, who led the way at NOFA’s summer concert

11. Introducing pen profiles for all the young people and staff that we work with to ensure they receive the right level of support and their wellbeing remains a top priority

Modulo musicians

12. And finally, celebrating becoming a National Portfolio Organisation, helping us support even more young musicians nationwide who need it the most – a fantastic way to end the year!

A winter-ful design

We would also like to take this opportunity to thank National Orchestra for All violinist, Patience, for designing this colourful greetings card for OFA! We’re sure you’ll all agree that her musical snowman looks super cool.

Have a restful, music-filled festive break, everyone!

Keen to support young musicians through our programmes? Please donate today >

Over £18,000 raised for aspiring young musicians after members of the public perform together for the first time 

Musical Chairs 2022: brass section

“It was the best day of my year, if not years!”

Orchestras for All (OFA) is delighted to share that its winter fundraiser, Musical Chairs 2022, has raised £18,101.20 for young people engaged in its life-changing programmes, who would otherwise struggle to access musical opportunities due to the daily barriers they face.

Hosted last month at Westminster School, London, the inclusive event welcomed a diverse cohort of all ages, skillsets and backgrounds, who played together as an orchestra for the very first time – with many also picking up a new instrument for the first time. They were led by OFA’s Artistic Director and conductor, Emma Oliver-Trend, and supported by a friendly team of orchestral tutors, alumni and National Orchestra for All members – all kindly volunteering their time on the day.

After spending the morning rehearsing an eclectic programme of repertoire – including ‘Allegro’, taken from Alice Mary Smith’s Symphony in A minor, and Romanian folk tune, ‘Spoitoresa’ – attendees performed together live in concert for an audience at the school.

Ten-year-old participant, Mahi, said: “My piano teacher told me about Musical Chairs. I thought it sounded fun and it was for a good cause, so I played the flute. I enjoyed meeting new people and the challenge of making new pieces sound perfect in one day. Everyone should have the chance to do this because you can express yourself musically.”

Her father, Ketan, also joined the ensemble. He told us: “I signed up Mahi and was gratified to be asked to join the percussion section when we showed up – it was touching that the volunteers cheerily thought I could contribute too, so I was on the tambourine and congas (having never played them before!).”

Read more: Vulnerable young musicians supported nationwide as Orchestras for All secures new Arts Council England funding >

Musical Chairs 2022: full orchestra

Pictured: Ten-year-old participant, Mahi, plays the flute with the Musical Chairs 2022 orchestra

Ketan continued: “I enjoyed discovering a new musical ability, being encouraged to dive in without thinking too much and producing a workable sound despite having no experience whatsoever. Nervousness evaporated quickly with tutor Andre’s strong support, teaching and confidence that we could do it without fuss. I was quite happy to tell anyone who’d listen at the end of the concert that it was the best day of my year, if not years! The volunteers were kind and helpful and Emma was encouraging throughout.”

As part of the fundraising concert, audience members also heard first-hand accounts from those who have benefitted from OFA’s work – including young trustee, Chloe Morgan, National Orchestra for All (NOFA) trumpeter, Tashan, and fellow NOFA trumpeter, Cameron, who gave a heartfelt speech alongside his mother, Polly.

Read more: Meet Orchestras for All’s barrier-smashing new trustees! >

Ketan said: “Without music and music-making, we are lost and really cannot thrive in any other parts of our lives. OFA‘s mission to break down barriers for young people is essential for opening doors in music and other areas of their potential. During the concert, it was touching to hear some of them tell the audience how OFA has transformed their lives. Young people are among the wisest people I come across, since they are not completely conditioned as yet to see life as a glass half empty – their clarity and honesty is compelling.

“I am mystified why being what you are limits your possibilities due to others’ prejudices – and that is why OFA’s work on diversity, inclusion and youth voice is essential to removing barriers. The barriers may never be completely removed but the music-making must go on!”

Participant Ketan plays percussion with tutor Andre

To the beat: Orchestras for All’s percussion tutor, Andre (left) and Musical Chairs participant, Ketan (right)

On behalf of everyone at Orchestras for All, we would like to thank Harriet’s Trust for match funding the event, our wonderful participants, orchestral tutors, alumni, volunteers, funders, individual donors and Westminster School for making Musical Chairs 2022 possible. Scroll down for a few of the highlights!

If you would like to support OFA’s life-changing work for aspiring young musicians across the UK, please donate what you can today >

Musical Chairs 2022 in pictures

Orchestras for All Trustee and cellist, Joelle

Orchestras for All Trustee and cellist, Joelle

Question time from the strings during rehearsals

Question time from the strings during rehearsals

Fluttering flautists

Fluttering flautists

Music can be enjoyed by everyone

Music can be enjoyed by everyone

From guitars to melodicas, all instruments are welcome in our inclusive ensemble

From guitars to melodicas, all instruments are welcome in our inclusive ensemble

It’s all smiles from OFA trustees and Musical Chairs participants, Lucinda (middle) and Rosie (right)

It’s all smiles from OFA trustees and Musical Chairs participants, Lucinda (middle) and Rosie (right)

Orchestras for All’s Artistic Director and conductor, Emma, leads the way

Orchestras for All’s Artistic Director and conductor, Emma, leads the way

Modulo Programme Manager, Sam (middle) and OFA’s Executive Director, Nick (right) join the strings

Modulo Programme Manager, Sam (middle) and OFA’s Executive Director, Nick (right) join the strings

Inspiring National Orchestra for All flautist, Ricardo, supports the woodwind section

Inspiring National Orchestra for All flautist, Ricardo, supports the woodwind section

The full ensemble

The full ensemble

Impromptu percussionist, Ketan, couldn’t wait to get stuck in!

Impromptu percussionist, Ketan, couldn’t wait to get stuck in!

OFA’s Founding Director, Marianna

OFA’s Founding Director, Marianna

Going strong on the xylophone

Going strong on the xylophone

Booming brass

Booming brass

Collection buckets at the ready for our winter fundraiser!

Collection buckets at the ready for our winter fundraiser!

Final rehearsal before the afternoon concert

Final rehearsal before the afternoon concert

A witty host: National Orchestra for All trumpeter, Tashan

A witty host: National Orchestra for All trumpeter, Tashan, introduces the live show

Powerful words were shared by young musicians as part of the event

Powerful words were shared by young musicians as part of the event

A moving speech from National Orchestra for All trumpeter, Cameron, and his mum, Polly

A moving speech from National Orchestra for All trumpeter, Cameron, and his mum, Polly

Our diverse cohort included complete beginners to professionals with years of experience

Our diverse cohort included complete beginners to professionals with years of experience

Mahi and OFA volunteer, Laura, put their busy day of rehearsals to the test – and did an excellent job!

Mahi and OFA volunteer, Laura, put their busy day of rehearsals to the test – and did an excellent job!

National Orchestra for All’s keyboard tutor, Matt, plays along to ‘Spoitoresa’ on the melodica

National Orchestra for All’s keyboard tutor, Matt, plays along to ‘Spoitoresa’ on the melodica

Audience members enjoy a quick video starring young musicians from the Modulo Programme

Audience members enjoy a quick video starring young musicians from the Modulo Programme

Musical Chairs participant and OFA Trustee, Philip Raperport, takes a moment to enjoy the show

Musical Chairs participant and OFA Trustee, Philip Raperport, takes a moment to enjoy the show

Time for some audience participation – body percussion with orchestral tutor, Andre!

Time for some audience participation – body percussion with orchestral tutor, Andre!

One of OFA’s young trustees, Chloe, shares what Orchestras for All means to her

One of OFA’s young trustees, Chloe, shares what Orchestras for All means to her

A round of applause from Artistic Director, Emma

A round of applause from Artistic Director, Emma

Participants congratulate each other after a brilliant live performance

Participants congratulate each other after a brilliant live performance

Pictured (middle): Orchestras for All’s strings tutor, Lawrence

Pictured (middle): Orchestras for All’s strings tutor, Lawrence

National Orchestra for All pals, Ricardo and Tashan

National Orchestra for All pals, Ricardo and Tashan

Thank you to everyone who joined us for Musical Chairs 2022 – we hope to see you again soon!

Thank you to everyone who joined us for Musical Chairs 2022 – we hope to see you again soon!

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